Winston Churchill
The Right Honourable Sir Winston Leonard Spencer-Churchill, KG, OM, CH, FRS PC (30 November 1874 – 24 January 1965) was a British statesman, best known as Prime Minister of the United Kingdom during the Second World War. At various times a soldier, journalist, author and politician, Churchill is generally regarded as one of the most important leaders in British and world history. He won the 1953 Nobel Prize for literature. Churchill's legal surname was Spencer-Churchill, but starting with his father, Lord Randolph Churchill, his branch of the family always used just the name Churchill in public life. Because of the existence of another author called Winston Churchill, his books were published under the name "Winston Spencer Churchill" or "Winston S. Churchill", though some later printings ignore this. Early lifeBorn at Blenheim Palace, near Woodstock in the English county of Oxfordshire, Winston Churchill was a descendant of the first famous member of the Churchill family – John Churchill, who became the first Duke of Marlborough. Winston's politician father, Lord Randolph Churchill, was the third son of the 7th Duke of Marlborough; Winston's mother was Lady Randolph Churchill (née Jennie Jerome), daughter of American millionaire Leonard Jerome. Neither parent showed young Winston much affection or love. Churchill spent much of his childhood at boarding schools, including Harrow. He was rarely visited by his mother, whom he virtually worshipped, despite his letters begging her to either come or let his father permit him to come home. He had a distant relationship with his father despite keenly following his father's career. Once, in 1886, he is reported to have proclaimed "My daddy is Chancellor of the Exchequer and one day that's what I'm going to be." His desolate, lonely childhood stayed with him throughout his life. He was very close to his nurse, Elizabeth Ann Everest (nicknamed "Woom" by Churchill), and was deeply saddened when she died on July 3, 1895. Churchill paid for her gravestone at the City of London Cemetery and Crematorium. Churchill did badly at Harrow, regularly being punished for poor work and lack of effort. His nature was independent and rebellious and he failed to achieve much academically, failing some of the same courses numerous times despite showing great ability in other areas such as maths and history, in both of which he was placed at times top in his class. But his refusal to study the classics undermined any chance of success at a school like Harrow. The view of Churchill as a failure at school is one which he himself propagated, probably due to his father's intense dislike of the young Winston and his obvious readiness to label his son a disappointment. He did, however, become the school's fencing champion. In 1893, on his third attempt, he passed the entrance exam and enrolled in the Royal Military Academy Sandhurst. He entered the college near the bottom of the intake of 102 cadets, but when he graduated two years later he was ranked eighth in his class. He was appointed Second Lieutenant in the 4th Hussars cavalry. In 1895, prior to his regiment departing for an extended posting to India, he went to Cuba as a military observer with the Spanish army in its fight against pro-independence rebels. He also reported for the Saturday Review. In 1898 he was attached as a supernumerary officer to the 21st Lancers (acting again as a war correspondent) and rode with them at the Battle of Omdurman, taking part in what is commonly thought to be the last full cavalry charge of the British Empire. The young man in a hurryAs the son of a prominent politician, it was unsurprising that Churchill was soon to be drawn into politics himself. He started speaking at a number of Conservative meetings in the 1890s, and in 1897 he wrote an unpublished essay, "The Scaffolding of Rhetoric". It was noticeable that in the first few years of his political career, and again in the mid-1920s, he frequently used his father's slogan of "Tory Democracy". Many were to regard Churchill in his early years as being obsessed with continuing his father's battles from fifteen years earlier. A young ChurchillIn 1899 he was considered as a prospective candidate for Oldham. One of the town's two MPs had died and the other, in ill health, was persuaded to resign so that both seats could be elected together. Churchill found himself thrust into a prominent by-election, alongside James Mawdsley (trade unionist), the Lancashire general secretary of the Amalgamated Society of Cotton Spinners and one of the few prominent Conservative trade unionists. The Liberal candidates were Alfred Emmott and Walter Runciman, who later sat in the Cabinet alongside Churchill. The by-election was dominated by a number of issues, including a Clerical Tithes Bill in Parliament, the brunt of criticism for which fell upon Churchill as a candidate for the governing party and the only Anglican of the four (though he was non-practicing). Facing attacks on the Bill, Churchill repudiated it. He later commented, "This was a frightful mistake. It is not the slightest use defending Governments or parties unless you defend the worst thing about which they are attacked." The Conservative leader in the Commons Arthur Balfour commented, "I thought he was a young man of promise, but it appears he is a young man of promises." Despite this, Churchill and Mawdsley narrowly lost the marginal seat, though with no harm to themselves as the Conservative government was facing a period of unpopularity. Runciman is reported to have commented to Churchill: "Don't worry, I don't think this is the last the country has heard of either of us." Churchill then became a war correspondent in the second Anglo-Boer war between Britain and self-proclaimed Afrikaners in South Africa. He was captured in a Boer ambush of a British Army train convoy and thrown into prison. However, he made a daring escape which made him something of a national hero. One night he scaled the prison walls and slipped by the sentries. Then, travelling on freight trains, he crossed over 500 kilometres of enemy territory and crossed the South African border to Lourenço Marques (now Maputo in Mozambique). He quickly returned to British-controlled South Africa where he joined a South African cavalry regiment and was involved in a number of brutal and bloody battles, and resumed filing stories for a rapt public in Britain. During this period he was recommended for a Victoria Cross although Horatio Kitchener vetoed the award. Churchill later returned to Oldham and used the publicity he had gained to stand again for the seat in the 1900 general election when he was elected for the seat. It was the successful launch of a political career which would last a total of sixty-two years, serving as an MP in the House of Commons from 1900 to 1922 and from 1924 to 1964. He remained politically active even in his brief years out of the Commons. At first a member of the Conservative Party, he "crossed the floor" in 1904 to join the Liberals over his opposition to protective tariffs Although many at this time would not have believed it, Churchill went on to become one of the most inspirational leaders of all time but like all great beings, he carried vital flaws. Winston Churchill (highlighted) as Home Secretary at the Sidney Street Siege, January 3, 1911Ministerial officeIn the 1906 general election, Churchill won a seat in Manchester. In the Liberal government of Henry Campbell-Bannerman he served as Under-Secretary of State for the Colonies. Churchill soon became the most prominent member of the Government outside the Cabinet, and when Campbell-Bannerman was succeeded by Herbert Henry Asquith in 1908, it came as little surprise when Churchill was promoted to the Cabinet as President of the Board of Trade. Under the law at the time, a newly appointed Cabinet Minister was obliged to seek re-election at a by-election. Churchill lost his Manchester seat to the Conservative William Joynson-Hicks but was soon elected in another by-election at Dundee. As President of the Board of Trade he pursued radical social reforms in conjunction with David Lloyd George, the new Chancellor of the Exchequer. In 1910 Churchill was promoted to Home Secretary, where he was to prove somewhat controversial. A famous photograph from the time shows the impetuous Churchill taking personal charge of the January 1911 Sidney Street Siege, peering around a corner to view a gun battle between cornered anarchists and Scots Guards. His role attracted much criticism. The building under siege caught fire. Churchill denied the fire brigade access, forcing the criminals to choose surrender or death. Arthur Balfour asked, "He [Churchill] and a photographer were both risking valuable lives. I understand what the photographer was doing but what was the Right Honourable gentleman doing?" In 1911, Churchill became First Lord of the Admiralty, a post he would hold into the First World War. He gave impetus to military reform efforts, including development of naval aviation, tanks, and the switch in fuel from coal to oil, a massive engineering task, also reliant on securing Mesopotamia's oil rights, bought circa 1907 through the secret service using the Royal Burmah Oil Company as a front company. The development of the battle tank was financed from naval research funds via the Landships Committee, and, although a decade later development of the battle tank would be seen as a stroke of genius, at the time it was seen as misappropriation of funds. The battle tank was deployed ineptly in 1915, much to Churchill's annoyance. He wanted a fleet of tanks used to surprised the Germans under cover of smoke, and to open a large section of the trenches by crushing barbed wire and creating a breakthrough sector. However, he was also one of the political and military engineers of the disastrous Gallipoli landings on the Dardanelles during World War I, which led to his description as "the butcher of Gallipoli". When Asquith formed an all-party coalition government, the Conservatives demanded Churchill's demotion as the price for entry. For several months Churchill served in the non-portfolio job of Chancellor of the Duchy of Lancaster, before resigning from the government feeling his energies were not being used. He rejoined the army, though remaining an MP, and served for several months on the Western Front. During this period his second in command was a young Archibald Sinclair who would later lead the Liberal Party. Return to powerIn December 1916, Asquith and the Conservative Party were ousted from power and were replaced by Lloyd George and the now ruling Liberal Party. However, the time was thought to not yet be right to risk the Conservatives' wrath by bringing Churchill back into government. However, in July 1917 Churchill was appointed Minister of Munitions. After the end of the war Churchill served as both Secretary of State for War and Secretary of State for Air (1919–1921). On the possible use of gas weapons in quelling uprisings in the British mandated territories of the former Ottoman Empire, Churchill wrote:
During this time (1919–21), he undertook with surprising zeal the cutting of military expenditure. However, the major preoccupation of his tenure in the War Office was the Allied intervention in the Russian Civil War. Churchill was a staunch advocate of foreign intervention, declaring that Bolshevism must be "strangled in its cradle". He secured from a divided and loosely organised Cabinet an intensification and prolongation of the British involvement beyond the wishes of any major group in Parliament or the nation – and in the face of the bitter hostility of Labour. In 1920, after the last British forces had been withdrawn, Churchill was instrumental in having arms sent to the Poles when they invaded Ukraine. He became Secretary of State for the Colonies in 1921 and was a signatory of the Anglo-Irish Treaty of 1921 which established the Irish Free State. Career between the warsIn October 1922, Churchill underwent an operation to remove his appendix. Upon his return, he learned that the government had fallen and a General Election was looming. The Liberal Party was now beset by internal division and Churchill's campaign was weak. He lost his seat at Dundee, quipping that he had lost his ministerial office, his seat and his appendix all at once. Churchill stood for the Liberals again in the 1923 general election, losing in Leicester, but over the next twelve months he moved towards the Conservative Party, though initially using the labels "Anti-Socialist" and "Constitutionalist". Two years later, in the General Election of 1924, he was elected to represent Epping (where there is now a statue of him) as a "Constitutionalist" with Conservative backing. The following year he formally rejoined the Conservative Party, commenting wryly that "Anyone can rat [change parties], but it takes a certain ingenuity to re-rat." He was appointed Chancellor of the Exchequer in 1924 under Stanley Baldwin and oversaw the United Kingdom's disastrous return to the Gold Standard, which resulted in deflation, unemployment, and the miners' strike that led to the General Strike of 1926. This decision prompted the economist John Maynard Keynes to write The Economic Consequences of Mr. Churchill, correctly arguing that the return to the gold standard would lead to a world depression. Churchill later regarded this as one of the worst decisions of his life. To be fair to him, it must be noted that he was not an economist and that he acted on the advice of the Governor of the Bank of England, Montague Norman (of whom Keynes said: "Always so charming, always so wrong".) During the General Strike of 1926, Churchill was reported to have suggested that machineguns be used on the striking miners. Churchill edited the Government's newspaper, the British Gazette, and during the dispute he argued that "either the country will break the General Strike, or the General Strike will break the country." Furthermore, he was to controversially claim that the Fascism of Benito Mussolini had "rendered a service to the whole world," showing as it had "a way to combat subversive forces" – that is, he considered the regime to be a bulwark against the perceived threat of Communist revolution. The Conservative government was defeated in the 1929 General Election. In the next two years, Churchill became estranged from the Conservative leadership over the issues of protective tariffs and Indian Home Rule. When Ramsay MacDonald formed the National Government in 1931, Churchill was not invited to join the Cabinet. He was now at the lowest point in his career, in a period known as "the wilderness years". He spent much of the next few years concentrating on his writing, including Marlborough: His Life and Times – a biography of his ancestor John Churchill, 1st Duke of Marlborough – and A History of the English Speaking Peoples (which was not published until well after WWII). He became most notable for his outspoken opposition towards the granting of independence to India (see Simon Commission and Government of India Act 1935). Soon, though, his attention was drawn to the rise of Adolf Hitler and the dangers of Germany's rearmament. For a time he was a lone voice calling on Britain to strengthen itself and counter the belligerence of Germany. Churchill was a fierce critic of Neville Chamberlain's appeasement of Hitler. He was also an outspoken supporter of King Edward VIII during the Abdication Crisis, leading to some speculation that he might be appointed Prime Minister if the King refused to take Baldwin's advice and consequently the government resigned. However, this did not happen, and Churchill found himself politically isolated and bruised for some time after this. Role as wartime Prime MinisterAt the outbreak of the Second World War Churchill was appointed First Lord of the Admiralty. In this job he proved to be one of the highest-profile ministers during the so-called "Boer War", when the only noticeable action was at sea. Churchill advocated the pre-emptive occupation of the neutral Norwegian iron-ore port of Narvik and the iron mines in Kiruna, Sweden, early in the War. However, Chamberlain and the rest of the War Cabinet disagreed, and the operation was delayed until the German invasion of Norway, which was successful despite British efforts. In May 1940, directly upon the German invasion of France by a surprising lightning advance through the Low Countries, it became clear that the country had no confidence in Chamberlain's prosecution of the war. Chamberlain resigned, and Churchill was appointed Prime Minister and formed an all-party government. In response to previous criticisms that there had been no clear single minister in charge of the prosecution of the war, he created and took the additional position of Minister of Defence. He immediately put his friend and confidant the industrialist and newspaper baron Lord Beaverbrook in charge of aircraft production. It was Beaverbrook's astounding business acumen that allowed Britain to quickly gear up aircraft production and engineering that eventually made the difference in the war. Winston Churchill on the cover of TIME magazine (30 Sep. 1940).Churchill's speeches were a great inspiration to the embattled United Kingdom. His first speech as Prime Minister was the famous "I have nothing to offer but blood, toil, tears, and sweat" speech. He followed that closely with two other equally famous ones, given just before the Battle of Britain. One included the immortal line, "We shall defend our island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender." The other included the equally famous "Let us therefore brace ourselves to our duties, and so bear ourselves that, if the British Empire and its Commonwealth last for a thousand years, men will still say, 'This was their finest hour.'" At the height of the Battle of Britain, his bracing survey of the situation included the memorable line "Never in the field of human conflict was so much owed by so many to so few", which engendered the enduring nickname "The Few" for the Allied fighter pilots who won it. Chiang Kai-shek, Franklin D. Roosevelt, and Churchill at the Cairo Conference in 1943His good relationship with Franklin D. Roosevelt secured the United Kingdom vital supplies via the North Atlantic Ocean shipping routes. It was for this reason that Churchill was relieved when Roosevelt was re-elected. Upon re-election, Roosevelt immediately set about implementing a new method of not only providing military hardware to Britain without the need for monetary payment, but also of providing, free of fiscal charge, much of the shipping that transported the supplies. Put simply, Roosevelt persuaded Congress that repayment for this immensely costly service would take the form of defending the USA; and so Lend-lease was born. Churchill had 12 strategic conferences with Roosevelt which covered the Atlantic Charter, Europe first strategy, the Declaration by the United Nations and other war policies. Churchill initiated the Special Operations Executive (SOE) under Hugh Dalton's Ministry of Economic Warfare, which established, conducted and fostered covert, subversive and partisan operations in occupied territories with notable success; and also the Commandos which established the pattern for most of the world's current Special Forces. The Russians referred to him as the "British Bulldog". Dwight D. Eisenhower with Winston Churchill during World War IIHowever, some of the military actions during the war remain controversial. Churchill was at best indifferent and perhaps complicit in the Great Bengal famine of 1943 which took the lives of at least 2.5 million Bengalis. Japanese troops were threatening British India after having successfully taken neighbouring British Burma. Some consider the British government's policy of denying effective famine relief a deliberate and callous scorched earth policy adopted in the event of a successful Japanese invasion. Churchill supported the bombing of Dresden shortly before the end of the war; Dresden was primarily a civilian target with many refugees from the East and was of allegedly little military value. However, the bombing was helpful to the allied Soviets. Churchill, Roosevelt and Joseph Stalin at the Yalta ConferenceChurchill was party to treaties that would redraw post-WWII European and Asian boundaries. These were discussed as early as 1943. Proposals for European boundaries and settlements were officially agreed to by Harry S. Truman, Churchill, and Stalin at Potsdam. The settlement concerning the borders of Poland, i.e. the boundary between Poland and the Soviet Union and between Germany and Poland, was viewed as a betrayal in Poland during the post-war years, as it was established against the views of the Polish government in exile. Churchill was convinced that the only way to alleviate tensions between the two populations was the transfer of people, to match the national borders. As he expounded in the House of Commons in 1944, "Expulsion is the method which, insofar as we have been able to see, will be the most satisfactory and lasting. There will be no mixture of populations to cause endless trouble... A clean sweep will be made. I am not alarmed by these transferences, which are more possible in modern conditions." The transfers were in the end carried out in a way which resulted in hardship and death for many of those transferred. Churchill opposed the effective annexation of Poland by the Soviet Union and wrote bitterly about it in his books, but he was unable to prevent it at the conferences. After World War IIAlthough the importance of Churchill's role in World War II was undeniable, he had many enemies in his own country. His expressed contempt for a number of popular ideas, in particular public health care and better education for the majority of the population, produced much dissatisfaction amongst the population, particularly those who had fought in the war. Immediately following the close of the war in Europe, Churchill was heavily defeated at election by Clement Attlee and the Labour Party. Some historians think that many British voters believed that the man who had led the nation so well in war was not the best man to lead it in peace. Others see the election result as a reaction against not Churchill personally, but against the Conservative Party's record in the 1930s under Baldwin and Chamberlain. Winston Churchill was an early supporter of the pan-Europeanism that eventually led to the formation of the European Common market and later the European Union (for which one of the three main buildings of the European Parliament is named in his honour). Churchill was also instrumental in giving France a permanent seat on the United Nations Security Council (which provided another European power to counterbalance the Soviet Union's permanent seat). Churchill also occasionally made comments supportive of world government. For instance, he once said[1]:
At the beginning of the Cold War, he famously mentioned the "Iron Curtain", a phrase originally created by Joseph Goebbels. The phrase entered the public consciousness after a 1946 speech at Westminster College in Fulton, Missouri, when Churchill, a guest of Harry S. Truman, famously declared:
Second termChurchill during his second termChurchill was restless and bored as leader of the Conservative opposition in the immediate post-war years. After Labour's defeat in the General Election of 1951, Churchill again became Prime Minister. His third government – after the wartime national government and the short caretaker government of 1945 – would last until his resignation in 1955. During this period he renewed what he called the "special relationship" between Britain and the United States, and engaged himself in the formation of the post-war order. His domestic priorities were, however, overshadowed by a series of foreign policy crises, which were partly the result of the continued decline of British military and imperial prestige and power. Being a strong proponent of Britain as an international power, Churchill would often meet such moments with direct action. Anglo-Iranian Oil DisputeThe crisis began under the government of Clement Attlee. In March 1951, the Iranian parliament (the Majlis) voted to nationalise the Anglo-Iranian Oil Company (AIOC) and its holdings by passing a bill strongly backed by the elderly statesman Mohammed Mossadegh, a man who was elected Prime Minister the following April by a large majority of the parliament. The International Court of Justice was called into settle the dispute, but a 50/50 profit-sharing arrangement, with recognition of nationalisation, was rejected by Mossadegh. Direct negotiations between the British and the Iranian government ceased, and over the course of 1951, the British ratcheted up the pressure on the Iranian government and explored the possibility of a coup against it. U.S. President Harry S. Truman was reluctant to agree, placing a much higher priority on the Korean War. The effects of the blockade and embargo were staggering and led to a virtual shutdown of Iran's oil exports. Churchill's return to power brought with it a policy of undermining the Mossadegh government. Both sides floated proposals unacceptable to the other, each side believing that time was on its side. Negotiations broke down, and as the blockade's political and economic costs mounted inside Iran, coup plots arose from the army and pro-British factions in the Majlis. Churchill and his Foreign Secretary pursued two mutually exclusive goals. On one hand, they wanted "development and reform" in Iran; on the other hand, they did not want to give up the control or revenue from AIOC that would have permitted that development and reform to go forward. Initially they backed Sayyid Zia as an individual with whom they could do business, but as the embargo dragged on, they turned more and more to an alliance with the military. Churchill's government had come full-circle, from ending the Attlee plans for a coup, to planning one itself. The crisis dragged on until 1953. Churchill approved a plan, with help from U.S. President Dwight D. Eisenhower, to back a coup in Iran. The combination of external and internal political pressure converged around Fazlollah Zahedi. Over the summer of 1953, demonstrations grew in Iran, and with the failure of a plebiscite, the government was destabilised. Zahedi, using foreign financing, took power, and Mossadegh surrendered to him on 20 August 1953. The coup pointed to an underlying tension within the post-War order: the industrialised Democracies, hungry for resources to rebuild in the wake of World War II, and to engage the Soviet Union in the Cold War, dealt with emerging states such as Iran as they had with colonies in a previous era. On one hand, spurred by the fear of a third world war against the USSR and committed to a policy of containment at any cost, they were more than willing to circumvent local political prerogatives. On the other hand, many of these local governments were both unstable and corrupt. The two factors created a vicious circle – intervention led to more dictatorial rule and corruption, which made intervention rather than establishment of strong local political institutions a greater and greater temptation. The Mau Mau Rebellion
In 1951, grievances against the colonial distribution of land came to a head with the Kenya Africa Union demanding greater representation and land reform. When these demands were rejected, more radical elements came forward, launching the Mau Mau rebellion in 1952. On 17 August 1952, a state of emergency was declared, and British troops were flown to Kenya to deal with the rebellion. As both sides increased the ferocity of their attacks, the country moved to full-scale civil war. In 1953, the Lari massacre, perpetrated by Mau-Mau insurgents against Kikuyu loyal to the British, changed the political complexion of the rebellion and gave the public-relations advantage to the British. Churchill's strategy was to use a military stick combined with implementing many of the concessions that Attlee's government had blocked in 1951. He ordered an increased military presence and appointed General Sir George Erskine, who would implement Operation Anvil in 1954 that broke the back of the rebellion in the city of Nairobi. Operation Hammer, in turn, was designed to root out rebels in the countryside. Churchill ordered peace talks opened, but these collapsed shortly after his leaving office. Malaya Emergency
In Malaysia, a rebellion against British rule had been in progress since 1948. Once again, Churchill's government inherited a crisis, and once again Churchill chose to use direct military action against those in rebellion while attempting to build an alliance with those who were not. He stepped up the implementation of a "hearts and minds" campaign and approved the creation of fortified villages, a tactic that would become a recurring part of Western military strategy in South-East Asia. (See Vietnam War). The Malayan Emergency was a more direct case of a guerrilla movement, centred in an ethnic group, but backed by the Soviet Union. As such, Britain's policy of direct confrontation and military victory had a great deal more support than in Iran or in Kenya. At the highpoint of the conflict, over 35,000 British troops were stationed in Malaysia. As the rebellion lost ground, it began to lose favour with the local population. While the rebellion was slowly being defeated, it was equally clear that colonial rule from Britain was no longer tenable. In 1953, plans were drawn up for independence for Singapore and the other crown colonies in the area. The first elections were held in 1955, just days before Churchill's own resignation, and by 1957, under Prime Minister Anthony Eden, Malaysia became independent. Honours for ChurchillIn 1953 he was awarded two major honours: he was invested as a Knight of the Garter (becoming Sir Winston Churchill, KG) and he was awarded the Nobel Prize for Literature "for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values". A stroke in June of that year led to him being paralysed down his left side. He retired because of his health on 5 April 1955 but retained his post as Chancellor of the University of Bristol. In 1955, Churchill was offered elevation to dukedom as the first-ever Duke of London, a title he himself selected. However, he then declined the title after being persuaded by his son Randolph not to accept it. Since then, no non-royal people have ever been offered a Dukedom in the United Kingdom. In 1956 he received the Karlspreis (engl.: Charlemagne Award), an award by the German city of Aachen to those who most contribute to the European idea and European peace. During the next few years he revised and finally published A History of the English Speaking Peoples in four volumes. In 1959 Churchill inherited the title of Father of the House, becoming the MP with the longest continuous service – since 1924. He was to hold the position until his retirement from the Commons in 1964, the position of Father of the House then passing to Rab Butler. In 1963, John F. Kennedy made Churchill the first person to receive Honorary U.S. Citizenship. From 1941 to his death, he was the Lord Warden of the Cinque Ports, a ceremonial office. FamilyOn 2 September 1908 at the socially desirable St. Margaret's, Westminster, Churchill married Clementine Hozier, a dazzling but largely penniless beauty whom he met at a dinner party that March (he had proposed to actress Ethel Barrymore but was turned down). They had five children: Diana; Randolph; Sarah, who co-starred with Fred Astaire in Royal Wedding; Marigold, who died in early childhood; and Mary, who has written a book on her parents. Clementine's mother was Lady Blanche Henrietta Ogilvy, second wife of Sir Henry Montague Hozier and a daughter of the 7th Earl of Airlie. Clementine's paternity, however, is open to healthy debate. Lady Blanche was well-known for sharing her favours and was eventually divorced as a result. She maintained that Clementine's father was Capt. William George "Bay" Middleton, a noted horseman. But Clementine's biographer Joan Hardwick has surmised, due to Sir Henry Hozier's reputed sterility, that all Lady Blanche's "Hozier" children were actually fathered by her sister's husband, Algernon Bertram Freeman-Mitford, better known as a grandfather of the infamous Mitford sisters of the 1920s. Churchill's son Randolph and his grandsons Nicholas Soames and Winston all followed him into Parliament. When not in London on government business, Churchill usually lived at his beloved Chartwell House in Kent, two miles south of Westerham. He and his wife bought the house in 1922 and lived there until his death in 1965. During his Chartwell stays, he enjoyed writing there, as well as painting, bricklaying, and admiring the estate's famous black swans. Last daysArms of Winston ChurchillAware that he was slowing down both physically and mentally, Churchill retired as Prime Minister in 1955 and was succeeded by Anthony Eden, who had long been his ambitious protégé. Churchill spent most of his retirement at Chartwell and in the south of France. In 1963, pursuant to an Act of Congress, U.S. President John F. Kennedy named Churchill the first Honorary Citizen of the United States. Churchill was too ill to attend the White House ceremony, so his son and grandson accepted the award for him. The world paid tribute to the former prime minister in different waysOn 15 January 1965 Churchill suffered another stroke – a severe cerebral thrombosis – that left him gravely ill. He died nine days later on 24 January 1965, 70 years to the day of his father's death. His body lay in State in Westminster Hall for three days and a state funeral service was held at St Paul's Cathedral. This was the first state funeral for a non-royal family member since that of Field Marshal Lord Roberts of Kandahar in 1914. As his coffin passed down the Thames on a boat, the cranes of London's docklands bowed in salute. The Royal Artillery fired a 19-gun salute (as head of government), and the RAF staged a fly-by of sixteen English Electric Lightning fighters. The state funeral was the largest gathering of dignitaries in Britain as representatives from over 100 countries attended, including French President Charles de Gaulle, Canadian Prime Minister Lester Pearson, other heads of state and government, and members of royalty. It also saw largest assemblage of statesmen in the world until the funeral of Pope John Paul II in 2005. It has been suggested it was Churchill's wish that, were de Gaulle to outlive him, his (Churchill's) funeral procession should pass through Waterloo Station. This is complete myth. Though of course President de Gaulle did indeed attend the service and the coffin departed for Bladon from Waterloo Station, there is absolutely no connection. In fact, Churchill did not plan his own funeral as commonly believed; he made a few suggestions, but there was a private committee which made the plans, and he was not on it. At Churchill's request, he was buried in the family plot at Saint Martin's Churchyard, Bladon, near Woodstock and not far from his birthplace at Blenheim. Because the funeral took place on 30 January, people in the United States marked Churchill's funeral by paying tribute to his friendship with Roosevelt because it was the anniversary of FDR's birth. On February 9, 1965, Churchill's estate was probated at 304,044 pounds sterling. Churchill as historianStatue of Winston Churchill in Parliament Square, opposite the Palace of Westminster in central London. Another cast of the same statue is found in Oslo, Norway, and a similar in Halifax, Nova Scotia.Churchill was a prolific writer throughout his life and, during his periods out of office, regarded himself as a professional writer who was also a Member of Parliament. Despite his aristocratic birth, he inherited little money (his mother spent most of his inheritance) and always needed ready cash to maintain his lavish lifestyle and to compensate for a number of failed investments. Some of his historical works, such as A History of the English Speaking Peoples, were written primarily to raise money. Although Churchill was an excellent writer, he was not a trained historian, and his historical works show many limitations. In his youth he was an avid reader of history but within a narrow range. The major influences on his historical thought, and his prose style, were Clarendon's history of the English Civil War, Gibbon's The History of the Decline and Fall of the Roman Empire and Macaulay's History of England. He had no knowledge of, or interest in, social or economic history, and he always saw history as essentially political and military, driven by great men rather than by economic forces or social change. Churchill was the last (and one of the most influential) exponents of "Whig history" – the belief of the 18th- and 19th-century Whigs that the British people had a unique greatness and an imperial destiny, and that all British history should be seen as progress towards fulfilling that destiny. This belief inspired his political career as well as his historical writing. It was an old-fashioned view of history even in Churchill's youth, but he never modified it or showed any interest in other schools of history. Although he employed professional historians as assistants, they had no influence over the content of his works. Churchill's historical writings fall into three categories. The first is works of family history, the biographies of his father, Life of Lord Randolph Churchill (1906), and of his great ancestor, Marlborough: His Life and Times (four volumes, 1933–38). These are still regarded as fine biographies, but are marred by Churchill's desire to present his subjects in the best possible light. He made only limited use of the available source materials and, in the case of his father, suppressed some material from family archives that reflected badly on Lord Randolph. The Marlborough biography shows to the full Churchill's great talent for military history. Both books have been superseded by more scholarly works but are still highly readable. The second category is Churchill's autobiographical works, including his early journalistic compilations The Story of the Malakand Field Force (1898), The River War (1899), London to Ladysmith via Pretoria (1900) and Ian Hamilton's March (1900). These latter two were issued in a re-edited form as My Early Life (1930). All these books are colourful and entertaining, and contain some valuable information about Britain's imperial wars in India, Sudan and South Africa, but they are essentially exercises in self-promotion, since Churchill was already a Parliamentary candidate in 1900. Churchill's reputation as a writer, however, rests on the third category, his three massive multi-volume works of narrative history. These are his histories of the First World War – The World Crisis (six volumes, 1923–31) – and of The Second World War (six volumes, 1948–53), and his History of the English-Speaking Peoples (four volumes, 1956–58, much of which had been written in the 1930s). These are among the longest works of history ever published (The Second World War runs to more than two million words), and earned him the Nobel Prize for Literature. Churchill's histories of the two world wars are, of course, far from being conventional historical works, since the author was a central participant in both stories and took full advantage of that fact in writing his books. Both are in a sense, therefore, memoirs as well as histories, but Churchill was careful to broaden their scope to include events in which he played no part – the war between Nazi Germany and the Soviet Union, for example. Inevitably, however, Churchill placed Britain, and therefore himself, at the centre of his narrative. Arthur Balfour described The World Crisis as "Winston's brilliant autobiography, disguised as a history of the universe." As a Cabinet minister for part of the First World War and as Prime Minister for nearly all of the Second, Churchill had unique access to official documents, military plans, official secrets and correspondence between world leaders. After the First War, when there were few rules governing these documents, Churchill simply took many of them with him when he left office and used them freely in his books – as did other wartime politicians such as David Lloyd George. As a result of this, strict rules were put in place preventing Cabinet ministers using official documents for writing history or memoirs once they left office. The World Crisis was inspired by Lord Esher's attack on Churchill's reputation in his memoirs. It soon broadened out into a general multi-volume history. The volumes are a mix of military history, written with Churchill's usual narrative flair; diplomatic and political history, largely written to justify Churchill's own actions and policies during the war; portraits of other political and military figures, usually written to further political vendettas or settle debts (most notably with Lloyd George); and personal memoir, written in a colourful but highly selective manner. Today these books are almost useless as historical references. As with all Churchill's works, they have nothing to say about economic or social history, and are coloured by his political views – particularly in regards to the Russian Revolution. But they remain highly readable for their narrative skill and vivid portrayals of people and events. When he resumed office in 1939, Churchill fully intended writing a history of the war then beginning. He said several times: "I will leave judgements on this matter to history – but I will be one of the historians." To circumvent the rules against the use of official documents, he took the precaution throughout the war of having a weekly summary of correspondence, minutes, memoranda and other documents printed in galleys and headed "Prime Minister's personal minutes". These were then stored at his home for future use. As well, Churchill wrote or dictated a number of letters and memorandums with the specific intention of placing his views on the record for later use as a historian. This all became a source of great controversy when The Second World War began appearing in 1948. Churchill was not an academic historian, he was a politician, and was in fact Leader of the Opposition, still intending to return to office. By what right, it was asked, did he have access to Cabinet, military and diplomatic records which were denied to other historians? What was unknown at the time was the fact that Churchill had done a deal with the Attlee Labour government which came to office in 1945. Recognising Churchill's enormous prestige, Attlee agreed to allow him (or rather his research assistants) free access to most documents, provided that (a) no official secrets were revealed, (b) the documents were not used for party political purposes, and (c) the typescript was vetted by the Cabinet Secretary, Sir Norman Brook. Brook took a close interest in the books and rewrote some sections himself to ensure that nothing was said which might harm British interests or embarrass the government. Churchill's history thus became a semi-official one. Churchill's privileged access to documents and his unrivalled personal knowledge gave him an advantage over all other historians of the Second World War for many years. The books had enormous sales in both Britain and the United States and made Churchill a rich man for the first time. It was not until after his death and the opening of the archives that some of the deficiencies of his work became apparent. Some of these were inherent in the unique position Churchill occupied as a historian, being both a former Prime Minister and a serving politician. He could not reveal military secrets, such as the work of the code-breakers at Bletchley Park (see Ultra) or the planning of the atomic bomb. He could not discuss wartime disputes with figures such as Dwight Eisenhower, Charles de Gaulle or Tito, since they were still world leaders at the time he was writing. He could not discuss Cabinet disputes with Labour leaders such as Attlee, whose goodwill the project depended on. He could not reflect on the deficiencies of generals such as Archibald Wavell or Claude Auchinleck for fear they might sue him (some, indeed, threatened to do so). Other deficiencies were of Churchill's own making. Although he described the fighting on the Eastern Front, he had little real interest in it and no access to Soviet or German documents, so his account is a pastiche of secondary sources, largely written by his assistants. The same is true to some extent of the war in the Pacific except for episodes such as the fall of Singapore in which he was involved. His account of the U.S. naval war in the Pacific was so heavily based on other writers that he was accused of plagiarism. The real focus of Churchill's work is always on the war in Western Europe, the Mediterranean and North Africa, but here his work is based heavily on his own documents, so it greatly exaggerates his own role. He had little access to American documents, and even those he did have, such as his letters from Roosevelt, Truman and Eisenhower, had to be used with caution for diplomatic reasons. Although he was, of course, a central figure in the war, he was not as central as his books suggest. Although he is usually fair, some personal vendettas are aired – against Stafford Cripps, for example. The Second World War can still be read with great profit by students of the period, provided it is seen mainly as a memoir by a leading participant rather than as an authoritative history by a professional and detached historian. The war, and particularly the period between 1940 and 1942 when Britain was fighting alone, was the climax of Churchill's career, and his personal account of the inside story of those days is unique and invaluable. But since the archives have been opened far more accurate and reliable histories have been written. Churchill's History of the English-Speaking Peoples was commissioned and largely written in the 1930s when Churchill badly needed money, but it was put aside when war broke out in 1939, being finally issued after he left office for the last time in 1955. Although it contains much fine writing, it shows Churchill's deficiencies as a historian at their most glaring. It is generally regarded as tendentious and very old-fashioned, seeing world history as a one-dimensional pageant of battles and speeches, kings and statesmen, in which the English occupy central stage. Events of central importance to modern history, such as the industrial revolution, are scarcely mentioned. Although Churchill's enormous prestige ensured that the books were respectfully received and sold well, they are now little read. Miscellany and trivia
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Although Churchill's enormous prestige ensured that the books were respectfully received and sold well, they are now little read. This trick, however, soon exhausts itself." (1948). Events of central importance to modern history, such as the industrial revolution, are scarcely mentioned. "One trick characterizes all of Stravinsky's formal endeavors: the effort of his music to portray time as in a circus tableau and to present time complexes as though they were spatial. It is generally regarded as tendentious and very old-fashioned, seeing world history as a one-dimensional pageant of battles and speeches, kings and statesmen, in which the English occupy central stage. Part of the composer's error, in Adorno's view, was his neo-classicism, but more important was his music's "pseudomorphism of painting", playing off of le temps éspace (space) rather than le temps durée (duration) of Henri Bergson. Although it contains much fine writing, it shows Churchill's deficiencies as a historian at their most glaring. In his book Philosophy of Modern Music (1948) Theodor Adorno calls Stravinsky an acrobat, a civil servant, a tailor's dummy, hebephrenic, psychotic, infantile, fascist, and devoted to making money. Churchill's History of the English-Speaking Peoples was commissioned and largely written in the 1930s when Churchill badly needed money, but it was put aside when war broke out in 1939, being finally issued after he left office for the last time in 1955. He compares Stravinsky's choice of, "the drabbest and least significant phrases", to Gertrude Stein's: "Everday they were gay there, they were regularly gay there everyday" ("Helen Furr and Georgine Skeene", 1922), "whose effect would be equally appreciated by someone with no knowledge of English whatsoever". But since the archives have been opened far more accurate and reliable histories have been written. They are merely successions of notes that can conveniently be divided into groups of three, five, and seven and set against other mathematical groups", and the cadenza for solo drums is, "musical purity...achieved by a species of musical castration". The war, and particularly the period between 1940 and 1942 when Britain was fighting alone, was the climax of Churchill's career, and his personal account of the inside story of those days is unique and invaluable. Further, the "melodic fragments in L'Histoire du Soldat are completely meaningless themselves. The Second World War can still be read with great profit by students of the period, provided it is seen mainly as a memoir by a leading participant rather than as an authoritative history by a professional and detached historian. Composer Constant Lambert (1936) described pieces such as L'Histoire du Soldat (A Soldier's Tale) as containing, "essentially cold-blooded abstraction". Although he is usually fair, some personal vendettas are aired – against Stafford Cripps, for example. What has become of the works that made up the program of the Stravinsky concert which created such a stir a few years ago? Practically the whole lot are already on the shelf, and they will remain there until a few jaded neurotics once more feel a desire to eat ashes and fill their belly with the east wind." Musical Times, London, October 1923 (ibid.). Although he was, of course, a central figure in the war, he was not as central as his books suggest. "All the signs indicate a strong reaction against the nightmare of noise and eccentricity that was one of the legacies of the war... He had little access to American documents, and even those he did have, such as his letters from Roosevelt, Truman and Eisenhower, had to be used with caution for diplomatic reasons. Practically it has no relation to music at all as most of us understand the word." Musical Times, London, August 1, 1913 (Slonimsky, 1953). The real focus of Churchill's work is always on the war in Western Europe, the Mediterranean and North Africa, but here his work is based heavily on his own documents, so it greatly exaggerates his own role. There is certainly an impelling rhythm traceable. naval war in the Pacific was so heavily based on other writers that he was accused of plagiarism. To say that much of it is hideous as sound is a mild description. His account of the U.S. "The music of Le Sacre du Printemps baffles verbal description. The same is true to some extent of the war in the Pacific except for episodes such as the fall of Singapore in which he was involved. Yet their influence on succeeding generations of composers was equalled if not exceeded by that of Stravinsky. Although he described the fighting on the Eastern Front, he had little real interest in it and no access to Soviet or German documents, so his account is a pastiche of secondary sources, largely written by his assistants. It must also be noted that composers such as Anton Webern, Alban Berg and Arnold Schoenberg were also exploring some of these orchestral and instrumental techniques in the early 20th century. Other deficiencies were of Churchill's own making. The most famous passage is the opening of the Rite of Spring where Stravsinky uses the extreme reaches of the bassoon to simulate the symbolic "awakening" of a spring morning. He could not reflect on the deficiencies of generals such as Archibald Wavell or Claude Auchinleck for fear they might sue him (some, indeed, threatened to do so). Another notable innovation of orchestral technique that can be partially attributed to Stravinsky is the exploitation of the extreme ranges of instruments. He could not discuss Cabinet disputes with Labour leaders such as Attlee, whose goodwill the project depended on. This combining of distinct timbres would become almost a cliche in post-World War II classical music. He could not discuss wartime disputes with figures such as Dwight Eisenhower, Charles de Gaulle or Tito, since they were still world leaders at the time he was writing. For example, in L'Histoire du Soldat (A Soldier's Tale) the forces used are clarinet, bassoon, tenor and bass trombone, double bass, cornet, violin and percussion, a very striking combination for its time (1918). He could not reveal military secrets, such as the work of the code-breakers at Bletchley Park (see Ultra) or the planning of the atomic bomb. But it is when he started to turn away from this tendency that he began to innovate by introducing unique combinations of instruments. Some of these were inherent in the unique position Churchill occupied as a historian, being both a former Prime Minister and a serving politician. Stravinsky continued this Romantic trend of writing for huge orchestral forces, especially in the early ballets. It was not until after his death and the opening of the archives that some of the deficiencies of his work became apparent. They, in turn, were influenced by the expansion of the traditional classical orchestra by Richard Wagner through his use of large forces and unusual instruments. The books had enormous sales in both Britain and the United States and made Churchill a rich man for the first time. Composers such as Anton Bruckner and Gustav Mahler were well regarded for their skill at writing for the medium. Churchill's privileged access to documents and his unrivalled personal knowledge gave him an advantage over all other historians of the Second World War for many years. The late 19th century and early 20th century was a time ripe with orchestral innovation. Churchill's history thus became a semi-official one. He did this so well, in fact, that only in recent scholarship, such as in Richard Taruskin's Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra [1], have analysts uncovered the original source material for some of the music in The Rite. Brook took a close interest in the books and rewrote some sections himself to ensure that nothing was said which might harm British interests or embarrass the government. He strips these themes to their most basic outline, melody alone, and often contorts them beyond recognition with additive notes, inversions, diminutions, and other techniques. Recognising Churchill's enormous prestige, Attlee agreed to allow him (or rather his research assistants) free access to most documents, provided that (a) no official secrets were revealed, (b) the documents were not used for party political purposes, and (c) the typescript was vetted by the Cabinet Secretary, Sir Norman Brook. Yet in Le Sacre du Printemps we see Stravinsky again innovating in his use of folk themes. What was unknown at the time was the fact that Churchill had done a deal with the Attlee Labour government which came to office in 1945. Two notable examples are Béla Bartók and Zoltán Kodály. By what right, it was asked, did he have access to Cabinet, military and diplomatic records which were denied to other historians?. There were other composers in the early 20th century who collected and augmented their native folk music and used these themes in their work. Churchill was not an academic historian, he was a politician, and was in fact Leader of the Opposition, still intending to return to office. Such compositional "borrowing" would come into vogue in the 1960s, as in the work Sinfonia by Luciano Berio. This all became a source of great controversy when The Second World War began appearing in 1948. Here it is the music of Tchaikovsky, specifically Swan Lake, that Stravinsky uses as his source. As well, Churchill wrote or dictated a number of letters and memorandums with the specific intention of placing his views on the record for later use as a historian. He used the same technique in the ballet The Fairy's Kiss of 1928. These were then stored at his home for future use. Here he uses the music of Pergolesi as source material, sometimes directly quoting it and other times simply reinventing it, to create a new and refreshing work. He said several times: "I will leave judgements on this matter to history – but I will be one of the historians." To circumvent the rules against the use of official documents, he took the precaution throughout the war of having a weekly summary of correspondence, minutes, memoranda and other documents printed in galleys and headed "Prime Minister's personal minutes". Stravinsky used the now very postmodern technique of direct musical quotation and pastiche as early as 1920 in his work Pulcinella. When he resumed office in 1939, Churchill fully intended writing a history of the war then beginning. A sort of final statement for the style, the opera was largely ridiculed as too "backward looking" even by those who had lauded the new style only three decades earlier. But they remain highly readable for their narrative skill and vivid portrayals of people and events. Ironically, it was Stravinsky himself who announced the death of Neoclassicism, at least in his own work if not for the world, with the completion of his opera The Rake's Progress in 1951. As with all Churchill's works, they have nothing to say about economic or social history, and are coloured by his political views – particularly in regards to the Russian Revolution. Certainly by the late 1920s and 1930s, Neoclassicism as an accepted modern genre was prevalent throughout art music circles around the world. Today these books are almost useless as historical references. Stravinsky may have been preceded in these devices by earlier composers such as Erik Satie, but no doubt when Copland was composing his Appalachian Spring ballet he was taking Stravinsky as his model. The volumes are a mix of military history, written with Churchill's usual narrative flair; diplomatic and political history, largely written to justify Churchill's own actions and policies during the war; portraits of other political and military figures, usually written to further political vendettas or settle debts (most notably with Lloyd George); and personal memoir, written in a colourful but highly selective manner. The clear harmonies, looking back to the Classical music era of Mozart and Bach, and the simpler combinations of rhythm and melody were a direct response to the complexities of the Second Viennese School. It soon broadened out into a general multi-volume history. Stravinsky announced his new style in 1923 with the stripped-down and delicately scored Octet for winds. The World Crisis was inspired by Lord Esher's attack on Churchill's reputation in his memoirs. 1, "Classical" of 1916-17. As a result of this, strict rules were put in place preventing Cabinet ministers using official documents for writing history or memoirs once they left office. Sergei Prokofiev once chided Stravinsky for his neo-classical mannerisms, though sympathetically, as Prokofiev had broken similar musical ground in his Symphony No. After the First War, when there were few rules governing these documents, Churchill simply took many of them with him when he left office and used them freely in his books – as did other wartime politicians such as David Lloyd George. Stravinsky was the greatest, if not the first, practitioner of the "neoclassic" style, a style that would be later adopted by composers as diverse as Darius Milhaud and Aaron Copland. As a Cabinet minister for part of the First World War and as Prime Minister for nearly all of the Second, Churchill had unique access to official documents, military plans, official secrets and correspondence between world leaders. Such techniques foreshadowed by several decades the minimalist works of composers such as Terry Riley and Steve Reich. Arthur Balfour described The World Crisis as "Winston's brilliant autobiography, disguised as a history of the universe.". These passages are notable not only for this pastiche-quality but also for their length: Stravinsky treats them as whole and complete musical sections. Inevitably, however, Churchill placed Britain, and therefore himself, at the centre of his narrative. At various other times in the work Stravinsky also pits several ostinati against one another without regard to harmony or tempo, creating a pastiche, a sort of musical equivalent of a Cubist painting. Both are in a sense, therefore, memoirs as well as histories, but Churchill was careful to broaden their scope to include events in which he played no part – the war between Nazi Germany and the Soviet Union, for example. This is perhaps the first instance in music of extended ostinato which is neither used for variation nor for accompaniment of melody. Churchill's histories of the two world wars are, of course, far from being conventional historical works, since the author was a central participant in both stories and took full advantage of that fact in writing his books. The most famous passage, as noted above, is the eighth note ostinato of the strings accented by eight french horns that occurs in the section Auguries of Spring (Dances of the Young Girls). These are among the longest works of history ever published (The Second World War runs to more than two million words), and earned him the Nobel Prize for Literature. The same ballet is also notable for its relentless use of ostinati. These are his histories of the First World War – The World Crisis (six volumes, 1923–31) – and of The Second World War (six volumes, 1948–53), and his History of the English-Speaking Peoples (four volumes, 1956–58, much of which had been written in the 1930s). In the "Rite of Spring" he introduces additive permutations, that is, subtracting or adding a note to a motif without regard to changes in meter. Churchill's reputation as a writer, however, rests on the third category, his three massive multi-volume works of narrative history. However, Stravinsky's use of motivic development was unique in the way he permutated his motifs. All these books are colourful and entertaining, and contain some valuable information about Britain's imperial wars in India, Sudan and South Africa, but they are essentially exercises in self-promotion, since Churchill was already a Parliamentary candidate in 1900. The first great innovator in this method was Beethoven; the famous "fate motif" which opens Fifth Symphony and reappears throughout the work in surprising and refreshing permutations is a classic example. These latter two were issued in a re-edited form as My Early Life (1930). Motivic development, that is using a distinct musical phrase that is subsequently altered and developed throughout a piece of music, has its roots in the sonata form of Mozart's age. The second category is Churchill's autobiographical works, including his early journalistic compilations The Story of the Malakand Field Force (1898), The River War (1899), London to Ladysmith via Pretoria (1900) and Ian Hamilton's March (1900). Stravinsky began re-thinking his use of the motif and ostinato as early as The Firebird ballet, but his use of these elements reached its full flowering in The Rite of Spring. Both books have been superseded by more scholarly works but are still highly readable. As a consequence, his influence on composers both during his lifetime and after his death was, and remains, considerable. The Marlborough biography shows to the full Churchill's great talent for military history. Stravinsky's work embraced multiple compositional styles, revolutionised orchestration, spanned several genres, practically reinvented ballet form and incorporated multiple cultures, languages and literatures. He made only limited use of the available source materials and, in the case of his father, suppressed some material from family archives that reflected badly on Lord Randolph. Indeed, these characteristics are what make Stravinsky's output so unique when compared with the work of contemporaneous serial composers. These are still regarded as fine biographies, but are marred by Churchill's desire to present his subjects in the best possible light. The ballet is thus a sort of miniature encyclopedia of Stravinsky, containing many of the signatures to be found throughout his compositions, whether primitivist, neo-classic, or serial: rhythmic quirkiness and experimentation, harmonic ingenuity, and a deft ear for masterful orchestration. The first is works of family history, the biographies of his father, Life of Lord Randolph Churchill (1906), and of his great ancestor, Marlborough: His Life and Times (four volumes, 1933–38). Some numbers of Agon recollect the "white-note" tonality of the neo-classic period, while others (the Bransle Gay, e.g.) display his unique re-interpretation of serial method. Churchill's historical writings fall into three categories. An important transitional work of this period in Stravinsky's work, was a return to the ballet: Agon, a work for twelve dancers written from 1954 to 1957. Although he employed professional historians as assistants, they had no influence over the content of his works. He later began expanding his use of the technique in works often based on biblical texts, such as Threni (1958), A Sermon, a Narrative, and a Prayer (1961), and The Flood (1962). It was an old-fashioned view of history even in Churchill's youth, but he never modified it or showed any interest in other schools of history. Stravinsky first began to dabble in the twelve tone technique in smaller vocal works such as the Cantata (1952), Three Songs from Shakespeare (1953) and In Memoriam Dylan Thomas (1954), as if he were testing the system. This belief inspired his political career as well as his historical writing. Regardless, the next fifteen years were spent writing the works in this style. Churchill was the last (and one of the most influential) exponents of "Whig history" – the belief of the 18th- and 19th-century Whigs that the British people had a unique greatness and an imperial destiny, and that all British history should be seen as progress towards fulfilling that destiny. No doubt, Stravinsky was aided in his understanding of, or even conversion to, the twelve tone method by his confidant and helper Robert Craft, who had long been advocating the change. He had no knowledge of, or interest in, social or economic history, and he always saw history as essentially political and military, driven by great men rather than by economic forces or social change. Only after the death of Arnold Schoenberg, the inventor of the twelve tone system, in 1951 did Stravinsky begin making use of the technique in his own works. The major influences on his historical thought, and his prose style, were Clarendon's history of the English Civil War, Gibbon's The History of the Decline and Fall of the Roman Empire and Macaulay's History of England. After the opera's completion Stravinsky never wrote another "neo-classic" work and instead began writing the music that came to define his final stylistic change. In his youth he was an avid reader of history but within a narrow range. The music is direct but quirky; it borrows from classic tonal harmony but also interjects surprising dissonances; it features Stravinsky's trademark off-rhythms; and it harkens back to the operas and themes of Monteverdi, Gluck and Mozart. Although Churchill was an excellent writer, he was not a trained historian, and his historical works show many limitations. This opera, written to a libretto by Auden and based on the etchings of Hogarth, encapsulates everything that Stravinsky had perfected in the previous 20 years of his neo-classic period. Some of his historical works, such as A History of the English Speaking Peoples, were written primarily to raise money. The pinnacle of this period is the opera The Rake's Progress completed in 1951. Despite his aristocratic birth, he inherited little money (his mother spent most of his inheritance) and always needed ready cash to maintain his lavish lifestyle and to compensate for a number of failed investments. Apollon, Persephone (1933) and Orpheus (1947) also mark Stravinsky's concern, during this period, of not only returning to "Classic" music but also returning to "Classic" themes: in these instances, the mythology of the ancient Greeks. Churchill was a prolific writer throughout his life and, during his periods out of office, regarded himself as a professional writer who was also a Member of Parliament. Some larger works from this period are the three symphonies: the Symphonie des Psaumes (Symphony of Psalms) (1930), Symphony in C (1940) and Symphony in Three Movements (1945). On February 9, 1965, Churchill's estate was probated at 304,044 pounds sterling. Other works such as Oedipus Rex (1927), Apollon Musagete (1928) and the Dumbarton Oaks concerto continue this trend. Because the funeral took place on 30 January, people in the United States marked Churchill's funeral by paying tribute to his friendship with Roosevelt because it was the anniversary of FDR's birth. In these new works, written roughly between 1920 and 1950, Stravinsky turns largely to wind instruments, the piano, and choral and chamber works. At Churchill's request, he was buried in the family plot at Saint Martin's Churchyard, Bladon, near Woodstock and not far from his birthplace at Blenheim. This "neo-classical" style involved the abandonment of the large orchestras demanded by the ballets. In fact, Churchill did not plan his own funeral as commonly believed; he made a few suggestions, but there was a private committee which made the plans, and he was not on it. Both of these works feature what was to become a hallmark of this period; that is, Stravinsky's return, or "looking back", to the classical music of Mozart and Bach and their contemporaries. Though of course President de Gaulle did indeed attend the service and the coffin departed for Bladon from Waterloo Station, there is absolutely no connection. The next phase of Stravinsky's compositional style, slightly overlapping the first, is marked by two works: Pulcinella 1920 and the Octet (1923) for wind instruments. This is complete myth. Other pieces from this period include: Renard (1916), Histoire du soldat (A Soldier's Tale) (1918), and Les Noces (The Wedding) (1923). It has been suggested it was Churchill's wish that, were de Gaulle to outlive him, his (Churchill's) funeral procession should pass through Waterloo Station. There are several famous passages in the work, but two are of particular note: the opening theme played on a bassoon with notes at the very top of its register, almost out of range; and the thumping, off kilter eighth-note motif played by strings and accented by French horns on off-rhythms (See Le sacre du printemps (The Rite of Spring) for a more detailed account of this work). It also saw largest assemblage of statesmen in the world until the funeral of Pope John Paul II in 2005. Here, the composer draws on the brutalism of pagan Russia, reflecting these sentiments in roughly-drawn, stinging motifs that appear throughout the work. The state funeral was the largest gathering of dignitaries in Britain as representatives from over 100 countries attended, including French President Charles de Gaulle, Canadian Prime Minister Lester Pearson, other heads of state and government, and members of royalty. But it is the third ballet, The Rite of Spring, that is generally considered the apotheosis of Stravinsky's "Russian Period". The Royal Artillery fired a 19-gun salute (as head of government), and the RAF staged a fly-by of sixteen English Electric Lightning fighters. Petrushka, too, is distinctively scored and the first of Stravinsky's ballets to draw on folk mythology. As his coffin passed down the Thames on a boat, the cranes of London's docklands bowed in salute. The first of the ballets, L'oiseau de feu, is notable for its unusual introduction (triplets in the low basses) and sweeping orchestration. This was the first state funeral for a non-royal family member since that of Field Marshal Lord Roberts of Kandahar in 1914. The ballets have several shared characteristics: they are scored for extremely large orchestras; they use Russian folk themes and motifs; and they bear the mark of Rimsky-Korsakov's imaginative scoring and instrumentation. His body lay in State in Westminster Hall for three days and a state funeral service was held at St Paul's Cathedral. The first of Stravinsky's major stylistic periods (excluding some early minor works) was inaugurated by the three ballets he composed for Diaghilev. He died nine days later on 24 January 1965, 70 years to the day of his father's death. Most of his compositions can be placed in one of the three. On 15 January 1965 Churchill suffered another stroke – a severe cerebral thrombosis – that left him gravely ill. Stravinsky's career largely falls into three distinct stylistic periods. Churchill was too ill to attend the White House ceremony, so his son and grandson accepted the award for him. He has a Star on the Hollywood Walk of Fame at 6340 Hollywood Boulevard. Kennedy named Churchill the first Honorary Citizen of the United States. Stravinsky's life had encompassed most of the 20th Century, including many of its modern classical music styles, and he influenced composers both during and after his lifetime. President John F. His grave is close to the tomb of his long-time collaborator Diaghilev. In 1963, pursuant to an Act of Congress, U.S. He died in New York City on April 6, 1971 at the age of 88 and was buried in Venice on the cemetery island of San Michele. Churchill spent most of his retirement at Chartwell and in the south of France. In 1962 he accepted an invitation to return to Russia for a series of concerts, but remained an émigré firmly based in the West. Aware that he was slowing down both physically and mentally, Churchill retired as Prime Minister in 1955 and was succeeded by Anthony Eden, who had long been his ambitious protégé. At the end of his life he was even setting Hebrew scripture in Abraham and Isaac. During his Chartwell stays, he enjoyed writing there, as well as painting, bricklaying, and admiring the estate's famous black swans. The texts and literary sources for his work began with a period of interest in Russian folklore, progressed to classical authors and the Latin liturgy, and moved on to contemporary France (André Gide, in Persephone) and eventually English literature: Auden, Eliot, and medieval English verse. He and his wife bought the house in 1922 and lived there until his death in 1965. Stravinsky's taste in literature was wide and reflected his constant desire for new discoveries. When not in London on government business, Churchill usually lived at his beloved Chartwell House in Kent, two miles south of Westerham. Craft lived with Stravinsky until his death, acting as interpreter, chronicler, assistant conductor and factotum for countless musical and social tasks. Churchill's son Randolph and his grandsons Nicholas Soames and Winston all followed him into Parliament. Auden, the need to acquire more familiarity with the English-speaking world coincided with his meeting the conductor and musicologist Robert Craft. But Clementine's biographer Joan Hardwick has surmised, due to Sir Henry Hozier's reputed sterility, that all Lady Blanche's "Hozier" children were actually fathered by her sister's husband, Algernon Bertram Freeman-Mitford, better known as a grandfather of the infamous Mitford sisters of the 1920s. H. William George "Bay" Middleton, a noted horseman. When he planned to write an opera with W. She maintained that Clementine's father was Capt. For a time he preserved a ring of emigré Russian friends and contacts, but eventually realised that this would not sustain his intellectual and professional life in the USA. Lady Blanche was well-known for sharing her favours and was eventually divorced as a result. Stravinsky had adapted to life in France, but moving to America aged 58 was a very different prospect. Clementine's paternity, however, is open to healthy debate. He continued to live in the United States until his death in 1971, unsuccessfully writing music for films. Clementine's mother was Lady Blanche Henrietta Ogilvy, second wife of Sir Henry Montague Hozier and a daughter of the 7th Earl of Airlie. He moved to the United States in 1939 and became a naturalized citizen in 1945. They had five children: Diana; Randolph; Sarah, who co-starred with Fred Astaire in Royal Wedding; Marigold, who died in early childhood; and Mary, who has written a book on her parents. He returned to Paris in 1920 to write more ballets as well as many other works. Margaret's, Westminster, Churchill married Clementine Hozier, a dazzling but largely penniless beauty whom he met at a dinner party that March (he had proposed to actress Ethel Barrymore but was turned down). However, because of World War I and the October Revolution in Russia he moved to Switzerland in 1914. On 2 September 1908 at the socially desirable St. That ballet ended up being the famous L'Oiseau de Feu. From 1941 to his death, he was the Lord Warden of the Cinque Ports, a ceremonial office. He commissioned Stravinsky to write a ballet for his theater; so in 1911, Stravinsky traveled to Paris. Citizenship. Eventually Stravinsky's music was noticed by Serge Diaghilev, the director of the Ballets Russes in Paris. Kennedy made Churchill the first person to receive Honorary U.S. At the same time he had a disregard of his social inferiors: Robert Craft was embarrassed by his habit of tapping a glass with a fork and loudly demanding attention in restaurants. In 1963, John F. For example, Otto Klemperer, who knew Schoenberg well, said that he always found Stravinsky much more co-operative and easy to deal with. He was to hold the position until his retirement from the Commons in 1964, the position of Father of the House then passing to Rab Butler. Most people who knew him through dealings connected with performances spoke of him as polite, courteous and helpful. In 1959 Churchill inherited the title of Father of the House, becoming the MP with the longest continuous service – since 1924. Paris, Venice, Berlin, London and New York all hosted successful appearances as pianist and conductor. During the next few years he revised and finally published A History of the English Speaking Peoples in four volumes. Stravinsky proved adept at playing the part of "man of the world", acquiring a keen instinct for business matters and appearing relaxed and comfortable in many of the world's major cities. In 1956 he received the Karlspreis (engl.: Charlemagne Award), an award by the German city of Aachen to those who most contribute to the European idea and European peace. The composer was also able to attract commissions: most of his work from The Firebird onwards was written for specific occasions and paid for generously. Since then, no non-royal people have ever been offered a Dukedom in the United Kingdom. In the early 1920s Leopold Stokowski was able to give Stravinsky regular support through a pseudonymous "benefactor". However, he then declined the title after being persuaded by his son Randolph not to accept it. Patronage too was never far away. In 1955, Churchill was offered elevation to dukedom as the first-ever Duke of London, a title he himself selected. After her death Stravinsky and Vera were married in New York where they had gone from France to escape the war in 1940. He retired because of his health on 5 April 1955 but retained his post as Chancellor of the University of Bristol. Katerina soon learned of the relationship and accepted it as inevitable and permanent. In 1953 he was awarded two major honours: he was invested as a Knight of the Garter (becoming Sir Winston Churchill, KG) and he was awarded the Nobel Prize for Literature "for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values". A stroke in June of that year led to him being paralysed down his left side. From then until the death of Katerina in 1939 Stravinsky led a deft double-life, spending some of his time with his first family and the rest with Vera. The first elections were held in 1955, just days before Churchill's own resignation, and by 1957, under Prime Minister Anthony Eden, Malaysia became independent. When Stravinsky met Vera in the early 1920s she was married to the painter and stage designer Serge Sudeikin, but they soon began an affair which led to her leaving her husband. In 1953, plans were drawn up for independence for Singapore and the other crown colonies in the area. Their marriage endured for 33 years, but the true love of his life, and partner until his death, was his second wife Vera de Bosset (1888-1982). While the rebellion was slowly being defeated, it was equally clear that colonial rule from Britain was no longer tenable. He was still young when he married his cousin Katerina Nossenko, who he had known since early childhood, on 23 January 1906. As the rebellion lost ground, it began to lose favour with the local population. Although a notorious philanderer (even rumoured to have affairs with high-class partners such as Coco Chanel) Stravinsky was also a family man who devoted considerable amounts of his time and expenditure to his sons and daughters. At the highpoint of the conflict, over 35,000 British troops were stationed in Malaysia. Relatively short of stature and not conventionally handsome, Stravinsky was nevertheless photogenic, as many pictures show. As such, Britain's policy of direct confrontation and military victory had a great deal more support than in Iran or in Kenya. Not only was he the principal composer for Sergei Diaghilev's Ballet Russes, but Stravinsky also collaborated with Pablo Picasso (Pulcinella, 1920), Jean Cocteau (Oedipus Rex, 1927) and George Balanchine (Apollon Musagete, 1928). The Malayan Emergency was a more direct case of a guerrilla movement, centred in an ethnic group, but backed by the Soviet Union. This desire manifested itself in several of his Paris collaborations. (See Vietnam War). Stravinsky displayed an inexhaustible desire to learn and explore art, literature, and life. He stepped up the implementation of a "hearts and minds" campaign and approved the creation of fortified villages, a tactic that would become a recurring part of Western military strategy in South-East Asia. (He succeeded: the 1913 première of Le sacre du printemps turned into a riot.). Once again, Churchill's government inherited a crisis, and once again Churchill chose to use direct military action against those in rebellion while attempting to build an alliance with those who were not. As he himself said, with these premieres his intention was "[to send] them all to hell". In Malaysia, a rebellion against British rule had been in progress since 1948. The ballets trace his stylistic development: from the L'oiseau de feu, whose style draws largely on Rimsky-Korsakov, to Petrushka's emphasis on bitonality, and finally to the savage polyphonic dissonance of Le sacre du printemps. Churchill ordered peace talks opened, but these collapsed shortly after his leaving office. During his stay in the city, he composed three major works for the Ballets Russes—L'oiseau de feu, Petrushka (1911), and Le sacre du printemps (The Rite of Spring) (1913). Operation Hammer, in turn, was designed to root out rebels in the countryside. Stravinsky left Russia for the first time in 1910, going to Paris to attend the premiere of his ballet L'oiseau de feu (The Firebird). He ordered an increased military presence and appointed General Sir George Erskine, who would implement Operation Anvil in 1954 that broke the back of the rebellion in the city of Nairobi. In 1902, at the age of 20, Stravinsky became the pupil of Nikolai Rimsky-Korsakov, probably the leading Russian composer of the time. Churchill's strategy was to use a military stick combined with implementing many of the concessions that Attlee's government had blocked in 1951. Composition came later. In 1953, the Lari massacre, perpetrated by Mau-Mau insurgents against Kikuyu loyal to the British, changed the political complexion of the rebellion and gave the public-relations advantage to the British. Petersburg, Stravinsky originally studied to be a lawyer. As both sides increased the ferocity of their attacks, the country moved to full-scale civil war. Though his father was a bass singer at the Mariinsky Theater in St. On 17 August 1952, a state of emergency was declared, and British troops were flown to Kenya to deal with the rebellion. Petersburg and dominated by his father and elder brother, Stravinsky's early childhood was a mix of experience that hinted little at the cosmopolitan artist he was to become. When these demands were rejected, more radical elements came forward, launching the Mau Mau rebellion in 1952. Brought up in an apartment in St. In 1951, grievances against the colonial distribution of land came to a head with the Kenya Africa Union demanding greater representation and land reform. Petersburg, Russia. The two factors created a vicious circle – intervention led to more dictatorial rule and corruption, which made intervention rather than establishment of strong local political institutions a greater and greater temptation. Stravinsky was born in Oranienbaum (now Lomonosov), near St. On the other hand, many of these local governments were both unstable and corrupt. . On one hand, spurred by the fear of a third world war against the USSR and committed to a policy of containment at any cost, they were more than willing to circumvent local political prerogatives. He was named by Time magazine as one of the most influential people of the century. The coup pointed to an underlying tension within the post-War order: the industrialised Democracies, hungry for resources to rebuild in the wake of World War II, and to engage the Soviet Union in the Cold War, dealt with emerging states such as Iran as they had with colonies in a previous era. A quintessentially cosmopolitan Russian, Stravinsky was one of the most authoritative composers in 20th century music, both in the West and in his native land. Zahedi, using foreign financing, took power, and Mossadegh surrendered to him on 20 August 1953. Robert Craft transcribed several interviews with the composer, which were published as Conversations with Stravinsky. Over the summer of 1953, demonstrations grew in Iran, and with the failure of a plebiscite, the government was destabilised. In it, he famously claimed that music was incapable of "expressing anything but itself". The combination of external and internal political pressure converged around Fazlollah Zahedi. With the help of Alexis Roland-Manuel, Stravinsky composed a theoretical work entitled Poetics of Music. Eisenhower, to back a coup in Iran. He was also a writer. President Dwight D. Stravinsky also achieved fame as a pianist and conductor, often at the premieres of his own works. Churchill approved a plan, with help from U.S. His oeuvre included everything from symphonies to piano miniatures. The crisis dragged on until 1953. Stravinsky also wrote in a broad spectrum of ensemble combinations and classical forms. Churchill's government had come full-circle, from ending the Attlee plans for a coup, to planning one itself. For some, these ballets practically reinvented the genre. Initially they backed Sayyid Zia as an individual with whom they could do business, but as the embargo dragged on, they turned more and more to an alliance with the military. He composed in the neo-classical and serialist styles, but he is best known for two works from his earlier, Russian period: Le sacre du printemps (The Rite of Spring) and L'oiseau de feu (The Firebird). On one hand, they wanted "development and reform" in Iran; on the other hand, they did not want to give up the control or revenue from AIOC that would have permitted that development and reform to go forward. Igor Fyodorovitch Stravinsky (Russian: Игорь Фёдорович Стравинский) (June 17, 1882 – April 6, 1971) was a Russian-American composer of modern classical music. Churchill and his Foreign Secretary pursued two mutually exclusive goals. Milan Kundera, Testaments Betrayed: An Essay in Nine Parts, ISBN 0060927518. Negotiations broke down, and as the blockade's political and economic costs mounted inside Iran, coup plots arose from the army and pro-British factions in the Majlis. The composer and his works, ISBN 0571049230. Both sides floated proposals unacceptable to the other, each side believing that time was on its side. Eric Walter White, Stravinsky. Churchill's return to power brought with it a policy of undermining the Mossadegh government. Ghostwritten by Walter Nouvel. The effects of the blockade and embargo were staggering and led to a virtual shutdown of Iran's oil exports. Igor Stravinsky, An Autobiography, ISBN 0393318567. Truman was reluctant to agree, placing a much higher priority on the Korean War. Igor Stravinsky and Robert Craft, Conversations with Stravinsky, ISBN 0520040406 . President Harry S. Ghostwritten by Alexis Roland-Manuel. U.S. Igor Stravinsky, Poetics of Music, ISBN 674678559. Direct negotiations between the British and the Iranian government ceased, and over the course of 1951, the British ratcheted up the pressure on the Iranian government and explored the possibility of a coup against it. ISBN 0295785799. The International Court of Justice was called into settle the dispute, but a 50/50 profit-sharing arrangement, with recognition of nationalisation, was rejected by Mossadegh. Seattle: University of Washington Press. In March 1951, the Iranian parliament (the Majlis) voted to nationalise the Anglo-Iranian Oil Company (AIOC) and its holdings by passing a bill strongly backed by the elderly statesman Mohammed Mossadegh, a man who was elected Prime Minister the following April by a large majority of the parliament. Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time. The crisis began under the government of Clement Attlee. Slonimsky, Nicolas (1953). Being a strong proponent of Britain as an international power, Churchill would often meet such moments with direct action. Stravinsky: Chronicle of a Friendship, Vanderbilt University Press, 1997. His domestic priorities were, however, overshadowed by a series of foreign policy crises, which were partly the result of the continued decline of British military and imperial prestige and power. Robert Craft. During this period he renewed what he called the "special relationship" between Britain and the United States, and engaged himself in the formation of the post-war order. Stravinsky: Glimpses of a Life, St Martins Press, 1993. His third government – after the wartime national government and the short caretaker government of 1945 – would last until his resignation in 1955. Robert Craft. After Labour's defeat in the General Election of 1951, Churchill again became Prime Minister. New York: Charles Scribner's Sons. Churchill was restless and bored as leader of the Conservative opposition in the immediate post-war years. Music Ho! A Study of Music in Decline, p.94–94 and 101–105. Truman, famously declared:. Lambert, Constant (1936). The phrase entered the public consciousness after a 1946 speech at Westminster College in Fulton, Missouri, when Churchill, a guest of Harry S. Category:Compositions by Igor Stravinsky. At the beginning of the Cold War, he famously mentioned the "Iron Curtain", a phrase originally created by Joseph Goebbels. The Owl and the Pussy Cat for soprano and piano (1966). For instance, he once said[1]:. Elegy for J.F.K. for baritone and three clarinets (1964). Churchill also occasionally made comments supportive of world government. In Memoriam Dylan Thomas (Dirge Canons and Song) (1954). Churchill was also instrumental in giving France a permanent seat on the United Nations Security Council (which provided another European power to counterbalance the Soviet Union's permanent seat). Four Russian Songs for mezzo-soprano, flute, harp and guitar (1954, versions from Quatre chants russes and Three Tales for Children). Winston Churchill was an early supporter of the pan-Europeanism that eventually led to the formation of the European Common market and later the European Union (for which one of the three main buildings of the European Parliament is named in his honour). Three Songs from William Shakespeare for mezzo-soprano, flute, clarinet, and viola (1953). Others see the election result as a reaction against not Churchill personally, but against the Conservative Party's record in the 1930s under Baldwin and Chamberlain. Petit ramusianum harmonique single voice or voices (1938). Some historians think that many British voters believed that the man who had led the nation so well in war was not the best man to lead it in peace. Quatre chants russes Quatre chants russes for voice and piano (1918/1919). Immediately following the close of the war in Europe, Churchill was heavily defeated at election by Clement Attlee and the Labour Party. Berceuse for voice and piano (1918). His expressed contempt for a number of popular ideas, in particular public health care and better education for the majority of the population, produced much dissatisfaction amongst the population, particularly those who had fought in the war. Four Russian Peasant Songs for female voice unaccompanied (1917). Although the importance of Churchill's role in World War II was undeniable, he had many enemies in his own country. Three Tales for Children for voice and piano (1917). Churchill opposed the effective annexation of Poland by the Soviet Union and wrote bitterly about it in his books, but he was unable to prevent it at the conferences. Berceuses du Chat for contralto and three clarinets (1916). I am not alarmed by these transferences, which are more possible in modern conditions." The transfers were in the end carried out in a way which resulted in hardship and death for many of those transferred. Pribaoutki for voice, flute, oboe, clarinet, bassoon, vln, vla, vc, double bass (1914). A clean sweep will be made. Trois petites chansons voice and piano (or small orchestra) (1913/1930). There will be no mixture of populations to cause endless trouble.. Trois poésies de la lyrique japonaise for voice and piano or chamber orchestra (1913). As he expounded in the House of Commons in 1944, "Expulsion is the method which, insofar as we have been able to see, will be the most satisfactory and lasting. Balmont for voice and piano or small orchestra (1911/1954). Churchill was convinced that the only way to alleviate tensions between the two populations was the transfer of people, to match the national borders. Two Poems of K. the boundary between Poland and the Soviet Union and between Germany and Poland, was viewed as a betrayal in Poland during the post-war years, as it was established against the views of the Polish government in exile. Deux poèmes de Paul Verlaine for bariton and piano or orchestra Op.9 (1910/1951). The settlement concerning the borders of Poland, i.e. Two Melodies for mezzo-soprano and piano Op.6 (1908). Truman, Churchill, and Stalin at Potsdam. Pastorale wordless soprano and piano (1907). Proposals for European boundaries and settlements were officially agreed to by Harry S. 2 (1907). These were discussed as early as 1943. Faun and Shepherdess for mezzo-soprano and orchestra Op. Churchill was party to treaties that would redraw post-WWII European and Asian boundaries. Romance for Voice and Piano (1902). However, the bombing was helpful to the allied Soviets. The Flood (1962). Churchill supported the bombing of Dresden shortly before the end of the war; Dresden was primarily a civilian target with many refugees from the East and was of allegedly little military value. The Rake's Progress (1951). Some consider the British government's policy of denying effective famine relief a deliberate and callous scorched earth policy adopted in the event of a successful Japanese invasion. Babel (1944). Japanese troops were threatening British India after having successfully taken neighbouring British Burma. Oedipus Rex (1927). Churchill was at best indifferent and perhaps complicit in the Great Bengal famine of 1943 which took the lives of at least 2.5 million Bengalis. Les Noces (The Wedding) (1923). However, some of the military actions during the war remain controversial. Mavra (1922). The Russians referred to him as the "British Bulldog". Histoire du soldat (A Soldier's Tale) (1918). Churchill initiated the Special Operations Executive (SOE) under Hugh Dalton's Ministry of Economic Warfare, which established, conducted and fostered covert, subversive and partisan operations in occupied territories with notable success; and also the Commandos which established the pattern for most of the world's current Special Forces. Burleske for 4 Pantomimes and Chamber Orchestra (1916). Churchill had 12 strategic conferences with Roosevelt which covered the Atlantic Charter, Europe first strategy, the Declaration by the United Nations and other war policies. Le rossignol (The Nightingale) (1914). Put simply, Roosevelt persuaded Congress that repayment for this immensely costly service would take the form of defending the USA; and so Lend-lease was born. Requiem Canticles (1966). Upon re-election, Roosevelt immediately set about implementing a new method of not only providing military hardware to Britain without the need for monetary payment, but also of providing, free of fiscal charge, much of the shipping that transported the supplies. Introitus (1965). It was for this reason that Churchill was relieved when Roosevelt was re-elected. Abraham and Isaac (1963). Roosevelt secured the United Kingdom vital supplies via the North Atlantic Ocean shipping routes. A Sermon, a Narrative and a Prayer (1961). His good relationship with Franklin D. Threni (1958). One included the immortal line, "We shall defend our island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender." The other included the equally famous "Let us therefore brace ourselves to our duties, and so bear ourselves that, if the British Empire and its Commonwealth last for a thousand years, men will still say, 'This was their finest hour.'" At the height of the Battle of Britain, his bracing survey of the situation included the memorable line "Never in the field of human conflict was so much owed by so many to so few", which engendered the enduring nickname "The Few" for the Allied fighter pilots who won it. Canticum Sacrum (1955). He followed that closely with two other equally famous ones, given just before the Battle of Britain. Cantata for soprano, tenor, female voices, 2 flutes, oboe, English horn, cello (1953-1954). His first speech as Prime Minister was the famous "I have nothing to offer but blood, toil, tears, and sweat" speech. Mass (1948). Churchill's speeches were a great inspiration to the embattled United Kingdom. Symphonie des Psaumes (Symphony of Psalms) for chorus and orchestra (1930). It was Beaverbrook's astounding business acumen that allowed Britain to quickly gear up aircraft production and engineering that eventually made the difference in the war. Pater Noster (1926). He immediately put his friend and confidant the industrialist and newspaper baron Lord Beaverbrook in charge of aircraft production. Le roi des étoiles (The King of the Stars) for Men's Choir and Orchestra (1912). In response to previous criticisms that there had been no clear single minister in charge of the prosecution of the war, he created and took the additional position of Minister of Defence. Fanfare for a New Theatre for two trumpets (1964). Chamberlain resigned, and Churchill was appointed Prime Minister and formed an all-party government. Monumentum Pro Gesualdo Di Venosa (arrangement) for chamber ensemble (1960). In May 1940, directly upon the German invasion of France by a surprising lightning advance through the Low Countries, it became clear that the country had no confidence in Chamberlain's prosecution of the war. Double Canon for string quartet 'Raoul Dufy in Memoriam' (1959). However, Chamberlain and the rest of the War Cabinet disagreed, and the operation was delayed until the German invasion of Norway, which was successful despite British efforts. Epitaphium for flute, clarinet and harp (1959). Churchill advocated the pre-emptive occupation of the neutral Norwegian iron-ore port of Narvik and the iron mines in Kiruna, Sweden, early in the War. Septet (1953). In this job he proved to be one of the highest-profile ministers during the so-called "Boer War", when the only noticeable action was at sea. Elegy for solo viola (1944). At the outbreak of the Second World War Churchill was appointed First Lord of the Admiralty. Suite Italienne (from Pulcinella) for violin or cello and piano (1933/34). However, this did not happen, and Churchill found himself politically isolated and bruised for some time after this. Pastorale for violin and piano (1933). He was also an outspoken supporter of King Edward VIII during the Abdication Crisis, leading to some speculation that he might be appointed Prime Minister if the King refused to take Baldwin's advice and consequently the government resigned. Duo Concertant for violin and piano (1932). Churchill was a fierce critic of Neville Chamberlain's appeasement of Hitler. Octet for wind instruments (1923). For a time he was a lone voice calling on Britain to strengthen itself and counter the belligerence of Germany. Concertino for string quartet (1920). Soon, though, his attention was drawn to the rise of Adolf Hitler and the dangers of Germany's rearmament. Three Pieces for Clarinet (1919). He became most notable for his outspoken opposition towards the granting of independence to India (see Simon Commission and Government of India Act 1935). Suite from Histoire du Soldat for violin, clarinet and piano (1919). He spent much of the next few years concentrating on his writing, including Marlborough: His Life and Times – a biography of his ancestor John Churchill, 1st Duke of Marlborough – and A History of the English Speaking Peoples (which was not published until well after WWII). Duet for two bassoons (1918). He was now at the lowest point in his career, in a period known as "the wilderness years". Canon for two horns (1917). When Ramsay MacDonald formed the National Government in 1931, Churchill was not invited to join the Cabinet. Pour Pablo Picasso, Piece for clarinet (1917). In the next two years, Churchill became estranged from the Conservative leadership over the issues of protective tariffs and Indian Home Rule. Three Pieces for string quartet (1914). The Conservative government was defeated in the 1929 General Election. Two Sketches for a Sonata for piano (1967). Churchill edited the Government's newspaper, the British Gazette, and during the dispute he argued that "either the country will break the General Strike, or the General Strike will break the country." Furthermore, he was to controversially claim that the Fascism of Benito Mussolini had "rendered a service to the whole world," showing as it had "a way to combat subversive forces" – that is, he considered the regime to be a bulwark against the perceived threat of Communist revolution. Sonata for Two Pianos (1943). During the General Strike of 1926, Churchill was reported to have suggested that machineguns be used on the striking miners. Tango for piano (1940). To be fair to him, it must be noted that he was not an economist and that he acted on the advice of the Governor of the Bank of England, Montague Norman (of whom Keynes said: "Always so charming, always so wrong".). Concerto for Two Pianos (1935). Churchill later regarded this as one of the worst decisions of his life. Serenade for piano (1925). Churchill, correctly arguing that the return to the gold standard would lead to a world depression. Sonata for piano (1924). This decision prompted the economist John Maynard Keynes to write The Economic Consequences of Mr. Les Cinq Doigts for piano (1921). He was appointed Chancellor of the Exchequer in 1924 under Stanley Baldwin and oversaw the United Kingdom's disastrous return to the Gold Standard, which resulted in deflation, unemployment, and the miners' strike that led to the General Strike of 1926. Chorale for piano (1920). The following year he formally rejoined the Conservative Party, commenting wryly that "Anyone can rat [change parties], but it takes a certain ingenuity to re-rat.". Piano Rag Music for piano (1919). Two years later, in the General Election of 1924, he was elected to represent Epping (where there is now a statue of him) as a "Constitutionalist" with Conservative backing. Valse pour les Enfants for piano (1917). Churchill stood for the Liberals again in the 1923 general election, losing in Leicester, but over the next twelve months he moved towards the Conservative Party, though initially using the labels "Anti-Socialist" and "Constitutionalist". Cinq piéces faciles for two pianos (1917). He lost his seat at Dundee, quipping that he had lost his ministerial office, his seat and his appendix all at once. Souvenir d'une Marche Boche for piano (1915). The Liberal Party was now beset by internal division and Churchill's campaign was weak. Trois piéces faciles for two pianos (1915). Upon his return, he learned that the government had fallen and a General Election was looming. Valse des fleurs for two pianos (1914). In October 1922, Churchill underwent an operation to remove his appendix. Le Sacre du Printemps for two pianos (1913). He became Secretary of State for the Colonies in 1921 and was a signatory of the Anglo-Irish Treaty of 1921 which established the Irish Free State. Quatre Etudes for piano Op.7 (1908). In 1920, after the last British forces had been withdrawn, Churchill was instrumental in having arms sent to the Poles when they invaded Ukraine. Sonata in F-Sharp Minor for piano (1904). He secured from a divided and loosely organised Cabinet an intensification and prolongation of the British involvement beyond the wishes of any major group in Parliament or the nation – and in the face of the bitter hostility of Labour. Scherzo for piano (1902). Churchill was a staunch advocate of foreign intervention, declaring that Bolshevism must be "strangled in its cradle". Tarantella for piano (1898). However, the major preoccupation of his tenure in the War Office was the Allied intervention in the Russian Civil War. Variations (Aldous Huxley in Memoriam) for orchestra (1963–1964). During this time (1919–21), he undertook with surprising zeal the cutting of military expenditure. 8 Instrumental miniatures for 15 Players (1963, orchestration of Les Cinq Doigts). On the possible use of gas weapons in quelling uprisings in the British mandated territories of the former Ottoman Empire, Churchill wrote:. Movements for Piano and Orchestra (1958–[[1959]). After the end of the war Churchill served as both Secretary of State for War and Secretary of State for Air (1919–1921). Greeting Prelude for orchestra (1955). However, in July 1917 Churchill was appointed Minister of Munitions. Tango for chamber orchestra (1940/1953). However, the time was thought to not yet be right to risk the Conservatives' wrath by bringing Churchill back into government. Concerto in D for string orchestra (1946). In December 1916, Asquith and the Conservative Party were ousted from power and were replaced by Lloyd George and the now ruling Liberal Party. Ebony Concerto for clarinet and jazz band (1945). During this period his second in command was a young Archibald Sinclair who would later lead the Liberal Party. Symphony in Three Movements (1945). He rejoined the army, though remaining an MP, and served for several months on the Western Front. Scherzo a la Russe for orchestra (1944). For several months Churchill served in the non-portfolio job of Chancellor of the Duchy of Lancaster, before resigning from the government feeling his energies were not being used. Ode for orchestra (1943). When Asquith formed an all-party coalition government, the Conservatives demanded Churchill's demotion as the price for entry. Four Norwegian Moods for orchestra (1942). However, he was also one of the political and military engineers of the disastrous Gallipoli landings on the Dardanelles during World War I, which led to his description as "the butcher of Gallipoli". Danses Concertantes for chamber orchestra (1942). He wanted a fleet of tanks used to surprised the Germans under cover of smoke, and to open a large section of the trenches by crushing barbed wire and creating a breakthrough sector. Circus Polka for orchestra (1942). The battle tank was deployed ineptly in 1915, much to Churchill's annoyance. Symphony in C (1940). The development of the battle tank was financed from naval research funds via the Landships Committee, and, although a decade later development of the battle tank would be seen as a stroke of genius, at the time it was seen as misappropriation of funds. Concerto in E-flat (Dumbarton Oaks) for Chamber Orchestra (1938). He gave impetus to military reform efforts, including development of naval aviation, tanks, and the switch in fuel from coal to oil, a massive engineering task, also reliant on securing Mesopotamia's oil rights, bought circa 1907 through the secret service using the Royal Burmah Oil Company as a front company. Preludium for jazz band (1937). In 1911, Churchill became First Lord of the Admiralty, a post he would hold into the First World War. Divertimento for orchestra (Suite from Le Baiser du Fee, 1934). I understand what the photographer was doing but what was the Right Honourable gentleman doing?". Concerto in D for violin and orchestra (1931). Arthur Balfour asked, "He [Churchill] and a photographer were both risking valuable lives. Capriccio for Piano and Orchestra (1929). Churchill denied the fire brigade access, forcing the criminals to choose surrender or death. Concerto for Piano and Wind Instruments (1925). The building under siege caught fire. Suite No.1 for chamber orchestra (1925). His role attracted much criticism. Suite No.2 for chamber orchestra (1921). A famous photograph from the time shows the impetuous Churchill taking personal charge of the January 1911 Sidney Street Siege, peering around a corner to view a gun battle between cornered anarchists and Scots Guards. Suite from Pulcinella for orchestra (1920). In 1910 Churchill was promoted to Home Secretary, where he was to prove somewhat controversial. Symphonies of Wind Instruments (1920). As President of the Board of Trade he pursued radical social reforms in conjunction with David Lloyd George, the new Chancellor of the Exchequer. Quatre études for orchestra (1918). Churchill lost his Manchester seat to the Conservative William Joynson-Hicks but was soon elected in another by-election at Dundee. Le chant du rossignol (Song of the Nightingale) (1917). Under the law at the time, a newly appointed Cabinet Minister was obliged to seek re-election at a by-election. Feu d'artifice (Fireworks) (1908). Churchill soon became the most prominent member of the Government outside the Cabinet, and when Campbell-Bannerman was succeeded by Herbert Henry Asquith in 1908, it came as little surprise when Churchill was promoted to the Cabinet as President of the Board of Trade. Scherzo fantastique (1908). In the Liberal government of Henry Campbell-Bannerman he served as Under-Secretary of State for the Colonies. Symphony in E-Flat Major (1907). In the 1906 general election, Churchill won a seat in Manchester. Agon for chamber orchestra (1957). Although many at this time would not have believed it, Churchill went on to become one of the most inspirational leaders of all time but like all great beings, he carried vital flaws. Orpheus for chamber orchestra (1947). At first a member of the Conservative Party, he "crossed the floor" in 1904 to join the Liberals over his opposition to protective tariffs. Jeu de cartes for orchestra (1936). He remained politically active even in his brief years out of the Commons. Perséphone for speaker, soloists, chorus and orchestra (1933). It was the successful launch of a political career which would last a total of sixty-two years, serving as an MP in the House of Commons from 1900 to 1922 and from 1924 to 1964. Le baiser de la fée (The Fairy's Kiss) for orchestra (1928). Churchill later returned to Oldham and used the publicity he had gained to stand again for the seat in the 1900 general election when he was elected for the seat. Apollon Musagète for string orchestra (1928). During this period he was recommended for a Victoria Cross although Horatio Kitchener vetoed the award. Pulcinella for chamber orchestra and soloists (1920). He quickly returned to British-controlled South Africa where he joined a South African cavalry regiment and was involved in a number of brutal and bloody battles, and resumed filing stories for a rapt public in Britain. Renard (1916). Then, travelling on freight trains, he crossed over 500 kilometres of enemy territory and crossed the South African border to Lourenço Marques (now Maputo in Mozambique). Le sacre du printemps (The Rite of Spring) for orchestra (1913). One night he scaled the prison walls and slipped by the sentries. Petrushka for orchestra (1911). However, he made a daring escape which made him something of a national hero. L'oiseau de feu (The Firebird) for orchestra (1910). He was captured in a Boer ambush of a British Army train convoy and thrown into prison. Churchill then became a war correspondent in the second Anglo-Boer war between Britain and self-proclaimed Afrikaners in South Africa. Runciman is reported to have commented to Churchill: "Don't worry, I don't think this is the last the country has heard of either of us.". It is not the slightest use defending Governments or parties unless you defend the worst thing about which they are attacked." The Conservative leader in the Commons Arthur Balfour commented, "I thought he was a young man of promise, but it appears he is a young man of promises." Despite this, Churchill and Mawdsley narrowly lost the marginal seat, though with no harm to themselves as the Conservative government was facing a period of unpopularity. He later commented, "This was a frightful mistake. Facing attacks on the Bill, Churchill repudiated it. The by-election was dominated by a number of issues, including a Clerical Tithes Bill in Parliament, the brunt of criticism for which fell upon Churchill as a candidate for the governing party and the only Anglican of the four (though he was non-practicing). The Liberal candidates were Alfred Emmott and Walter Runciman, who later sat in the Cabinet alongside Churchill. Churchill found himself thrust into a prominent by-election, alongside James Mawdsley (trade unionist), the Lancashire general secretary of the Amalgamated Society of Cotton Spinners and one of the few prominent Conservative trade unionists. One of the town's two MPs had died and the other, in ill health, was persuaded to resign so that both seats could be elected together. In 1899 he was considered as a prospective candidate for Oldham. Many were to regard Churchill in his early years as being obsessed with continuing his father's battles from fifteen years earlier. It was noticeable that in the first few years of his political career, and again in the mid-1920s, he frequently used his father's slogan of "Tory Democracy". He started speaking at a number of Conservative meetings in the 1890s, and in 1897 he wrote an unpublished essay, "The Scaffolding of Rhetoric". As the son of a prominent politician, it was unsurprising that Churchill was soon to be drawn into politics himself. In 1898 he was attached as a supernumerary officer to the 21st Lancers (acting again as a war correspondent) and rode with them at the Battle of Omdurman, taking part in what is commonly thought to be the last full cavalry charge of the British Empire. He also reported for the Saturday Review. In 1895, prior to his regiment departing for an extended posting to India, he went to Cuba as a military observer with the Spanish army in its fight against pro-independence rebels. He was appointed Second Lieutenant in the 4th Hussars cavalry. He entered the college near the bottom of the intake of 102 cadets, but when he graduated two years later he was ranked eighth in his class. In 1893, on his third attempt, he passed the entrance exam and enrolled in the Royal Military Academy Sandhurst. He did, however, become the school's fencing champion. The view of Churchill as a failure at school is one which he himself propagated, probably due to his father's intense dislike of the young Winston and his obvious readiness to label his son a disappointment. But his refusal to study the classics undermined any chance of success at a school like Harrow. His nature was independent and reb |