Vera Miles

She did television series work for a time, then in 1983 she reprised her most famous role in Psycho II, vociferously protesting the proposed parole of killer Norman Bates (played, as in the original, by Anthony Perkins). Main article: Kylie Minogue discography. She continued to play roles in Disney into the 1970s. She has also had smaller roles in Australian horror flick "Cut" 2000 and "Bio Dome" 1996 as well as another Australian film "Sample People" 2000. Following another stint for Ford in 1962's The Man Who Shot Liberty Valance she got her first parts at the Disney studio, in A Tiger Walks (1964) and Those Calloways (1965). In 2004 she provided the voice of Florence in a film based on The Magic Roundabout. Pregnancy cost her the lead in Vertigo but Hitchcock did cast her as Janet Leigh's sister in Psycho (1960), in which her character discovers the truth about Norman Bates' mother. This cameo remains her most widely seen film performance.

A year later, she played Henry Fonda's beleaguered wife in Hitchcock's The Wrong Man (1957). In Moulin Rouge! (2001) she played the part of Absinthe, the Green Fairy, singing a line from The Sound of Music. Then John Ford cast her as Jeffrey Hunter's spirited love interest in The Searchers (1956), and her career took a dramatic turn upward. The film received poor reviews, was panned by fans of the series and moviegoers alike, and did nothing to further Minogue's acting career. She posed for cheesecake photos, and married her leading man from Tarzan's Hidden Jungle (1955), Gordon Scott (they later split). In 1994 she played Cammy in the action film Street Fighter, based on the videogame series of the same name. She began her career as a beauty queen and, as a result, earned a minor part in Two Tickets to Broadway (1951). Its release coincided with her popularity in Neighbours, and while both the film and Minogue's performance were the subject of derisive comments by critics, the film was a commercial success.

August 23, 1929) is a American actress. In 1989, she starred in The Delinquents, which told the story of a young girl growing up in the Australia of the late 1950s. Vera Miles (b. Her film roles have been few, and have generally resulted from her high profile as a pop singer. Her career in pop music was only possible as a result of her high profile as a television actress. Minogue's film career has not taken the typical path of a successful singer attempting to broaden his or her appeal.

As she has matured, she has been accepted by a wider audience than simply that of her record buying fans, particularly in Australia, where her profile has been used to promote issues such as recycling projects through Planet Ark, as well as a campaign to raise public awareness about domestic violence and a kids' helpline. While part of her appeal lies in her flamboyant costumes, her humour and sense of fun, and her confident sexual posturing, she has also consistently acknowledged the gay community throughout the world, not only by her willingness to perform at gay venues and at gay events, but also by her outspoken commitment to raising social awareness and acceptance towards people living with AIDS. Early in her career, Minogue became a gay icon. Her relationships, including her current relationship with French actor, Olivier Martinez, have been extensively reported.

Throughout her career, Minogue has been the subject of intense media interest in both the United Kingdom and Australia, which has remained consistent even while her success as a recording artist fluctuated. Minogue said the incident embarrassed her, and caused her to question the public perception of her as a sex object, a perception she admitted she had created. During a duet performance with Justin Timberlake, he crudely grabbed her bottom. She also stated that this was a result of what she describes as an unplanned incident at the 2003 Brit Awards.

Despite the success of this marketing strategy, and her acceptance by a large audience as a contemporary sex symbol, her critics maintained that her willingness to display her body was an attempt to disguise her lack of talent, and although Minogue accepted these criticisms throughout her career with little public comment, she announced in 2003 that she would present herself more demurely in future. She has created her own LoveKylie range of lingerie, and her saucy calendars have been consistently high sellers throughout much of her career. These efforts caused elements of the British press to label her SexKylie. Her more recent videos have shown vintage (70s, 80s, and earlier) influences similar to those of her recent music.

Her videos have touched on adult themes – an interracial relationship in "Better The Devil You Know", lesbian posturing in "What Do I Have To Do", and telephone sex in "Confide In Me". She performed a slow strip tease in the Barbarella inspired "Put Yourself In My Place", and wore revealing costumes in the majority of her videos, most notably those for "Spinning Around" and "Can't Get You Out Of My Head". She has occasionally satirised herself, most notably in the video for "Did It Again", in which the four major incarnations of Minogue's career, "Cute Kylie", "Dance Kylie", "Sex Kylie" and "Indie Kylie" battled for supremacy, with "Sex Kylie" fittingly as the ultimate victor. Instead she presents herself as a more passive object of desire, and frequently imbues her performances with camp elements and humour. Unlike Madonna, Minogue has rarely portrayed herself as a sexual aggressor.

Minogue admitted that she was an influence, but as her confidence grew she established a persona that differed considerably from that of Madonna. Her earliest videos portrayed her as a "girl-next-door" who was innocent and slightly gauche. When she took control of her portrayal in 1990, she quickly developed a more adult, slightly raunchier image, which caused her to be compared unfavourably to Madonna. Like most recording artists of her era, Minogue has utilised the medium of the music video as the most effective way of promoting her image, and has consistently worked at creating and evolving her visual representation. The album introduced her next single "I Believe in You", co-written with Jake Shears and Babydaddy from the Scissor Sisters.

To date, Minogue has sold over 40 million singles and over 25 million albums and has had a number 1 hit in over 45 countries. Minogue released her second official greatest hits album on November 22, 2004, entitled Ultimate Kylie, along with a DVD compilation of the same title including her music videos. In November 2004, "Slow" was nominated for a Grammy Award in the category of "Best Dance Recording". In the United States the album made little impression, although the singles became major club hits. Sales in the United Kingdom and Australia were relatively low, despite the success of its first single, the uncharacteristically subdued "Slow".

Her next album Body Language (2003) dispensed with the disco style, and included elements of hip hop. She had previously been nominated in the same category in 2003 for "Love At First Sight". Her credibility as a recording artist was enhanced by winning a Best Dance Recording Grammy in 2004 for the single "Come Into My World", against fellow nominees Madonna, Cher, Groove Armada and Télépopmusik. The album sold over 7 million copies worldwide.

The album's three other singles, "In Your Eyes", "Love At First Sight" and "Come Into My World" were also big hits worldwide. Further singles were substantial hits throughout the world, and Minogue established a presence in the mainstream American market, achieved particular success in the American club scene. The album debuted on the American Billboard chart at number 3, and the single reached number 7, almost 15 years after her previous Top 10 hit, 'The Loco-Motion". Minogue was given a contract with Capitol Records and released "Fever" February 26, 2002 in the US, her first US album release in a decade.

An American fan who saw her sing "Can't Get You Out Of My Head" at the European MTV Music Awards in Berlin, Germany immediately wrote to Jay Leno at The Tonight Show in November 2001 and she appeared on February 4, 2002. The album's success was equally widespread, and for the first time since 1988, American radio stations gave her extensive airplay. The single became the biggest selling single of 2001 and was the best seller and one of the best sellers in many countries. The single "Can't Get You Out Of My Head" hit the number one spot in over 40 countries and was also number 1 for 11 weeks on the world chart, number for 1 for 16 weeks on the European chart and sold over 4 million copies worldwide. The first single, "Can't Get You Out Of My Head", spent four weeks at number one in the United Kingdom, reached number one in most European countries, and also in Australia.

Its musical style retained some disco elements and combined them with 1980s electropop. It also received positive reviews although many reviewers commented that it was not as consistently appealing as Light Years. The following year she released the album Fever. Minogue played to the biggest audience of her career at the 2000 Sydney Olympics, where she performed a cover version of the ABBA hit "Dancing Queen" and her then-current single, "On A Night Like This".

The subsequent single releases, including the duet "Kids" with Robbie Williams, also sold strongly. The single "Spinning Around" became her first British number one in 10 years, with its accompanying video, featuring Minogue in revealing gold hot pants, receiving widespread television airplay. It received the best reviews of her career and quickly became a success throughout Europe, Asia and Australia, selling over 2 million copies worldwide. Her album Light Years (2000) was strongly flavoured with 1970s disco, and was knowingly kitsch.

Minogue and Deconstruction Records parted company shortly after, and two years later she signed with Parlophone. The album was her most successful release in Australia since her debut album, with sales boosted by a highly successful live tour. The album became the lowest selling of her career in the United Kingdom, although many critics wrote positively of her attempt to develop as an artist. Her next album Impossible Princess (1997) featured collaborations with such highly regarded musicians as Manic Street Preachers, and saw Minogue participating more in the songwriting process.

She even appeared and performed the single with Nick Cave at the Australian summer rock festival, "The Big Day Out". A brooding ballad whose lyrics narrated a murder from the points of view of both the murderer (Cave), and his victim (Minogue), the song demonstrated that Minogue could be accepted outside of her established genre as a dance artist. A 1995 duet with Nick Cave and the Bad Seeds titled "Where The Wild Roses Grow" resulted in widespread acclaim in Europe (entering the top 10 in the European charts) and Australia, where the single won the ARIA Award for "Song of the Year" and "Best Pop Release". The single failed to chart and the album release was cancelled.

However with the complete and utter failure of the film to find an audience, combined with Imago Records financial woes (the company filed for bankruptcy in 1995), promotional dollars for Minogue's album were small. This plan was to be heightened by the release of her first American film role in Street Fighter that year. A plan came about to release Kylie's self-titled album as well as a CD single for "Confide In Me" in America in 1994. Throughout this, further attempts were made to promote Minogue in America, where she was signed to Imago Records.

The media, which had earlier triumphed Minogue's departure from Stock, Aitken & Waterman, now began to predict the end of her career. The other two singles, "Where Is The Feeling" and "Put Yourself In My Place", failed to make the top ten. The album was a moderate success, selling over 1 million copies, but only achieved one hit single of note, "Confide In Me", which sold 2 million copies worldwide and stayed at number 1 on the Australian charts for 5 weeks. Collaborations with such established and successful dance artists as Pet Shop Boys and M People disappointed both critics and record buyers alike.

Minogue's subsequent signing with Deconstruction Records was highly touted in the music media as the beginning of a new phase in her career, but the first album released, the self titled Kylie Minogue (1994), received mixed reviews. The album's release coincided with her departure from Stock, Aitken & Waterman. Her final single releases with them, "What Kind Of Fool (Heard All That Before)" and "Celebration", were only minor successes. It contained all of her hit singles, as well as three new recordings, and reached number one in the UK. Her career was briefly revived by the release of a Greatest Hits album in 1992.

Her media supporters described her as a victim of tall poppy syndrome. In Australia, her popularity of the previous years was followed by a backlash, and the Australian public appeared to have grown indifferent to her. The first single, "Word Is Out", became her first single to peak outside of the British Top 10, and the album did not sell well. After the success of Rhythm of Love, which had received generally positive reviews, her next album Let's Get To It (1991), was designed to broaden Minogue's appeal. Stock, Aitken & Waterman provided her with a diverse range of ballads and slower dance songs, but it did not receive strong reviews.

When the album's fourth single, "Shocked", reached the British Top 10 in 1991, Minogue became the first recording artist to place their first 13 single releases in the Top 10. The single releases all sold well elsewhere in the world, and were also successful in the UK nightclubs, where they were accepted by the older audience Minogue had deliberately targeted. The single went nowhere in America, and MCA dropped her as well. However, the American single lacked Kylie's image on the cover, and featured lead actor Richard Greico instead.

In the UK and Australia, separate from the movie soundtrack, the track was a Top 5 hit, peaking at #2 in the UK. Featured on the If Looks Could Kill movie soundtrack, the track "Better The Devil You Know" was expected to make a rather large impact. In America, Minogue was quickly dropped from Geffen Records after Enjoy Yourself; however, by 1990, MCA Records was looking to give her a chance. A concurrent romance with INXS lead singer Michael Hutchence furthered Minogue's attempts to gain acceptance as a mature performer, with Hutchence stating in an interview that his favourite hobby was "corrupting Kylie".

Determined to be accepted by a more mature audience, Minogue took control of her music videos for the first time, and presented herself as a sexually aware adult. It also marked the first signs of rebellion against her production team and the carefully crafted "girl-next-door" image they had designed for her. Her next album, Rhythm of Love (1990), marked a departure from the bubblegum music of her previous albums, and attempted a more sophisticated and adult style of dance music. In the face of widespread criticism it was decided to adjust the overall style of Minogue's music.

By this time she had become Stock, Aitken & Waterman's highest selling act, and its first priority. One critic named her "The Singing Budgie", a name that stuck for several years. Critics who were confounded by her first success, became hostile in light of her second album and began to discuss her limitations as a performer. Her follow up album, Enjoy Yourself (1989), continued in the style of its predecessor, and with several hit singles, became another success in the United Kingdom and Australia.

A duet with Jason Donovan titled "Especially For You" was a major hit in Britain in early 1989. Although "The Loco-Motion" reached number three on the US Billboard Magazine Chart, she failed to make a firm impression on the American record buying market. The United States was the only major record market in which this album did not sell strongly. It contained six hit singles including "I Should Be So Lucky", and a new version of "The Loco-Motion".

Her first album, Kylie, a collection of dance songs, reached number one on the British albums charts, and was the year's highest selling and sold over 7 million copies worldwide. Its success resulted in Minogue travelling to London to work with production team Stock, Aitken & Waterman. Released as a single, and retitled "Locomotion", the song spent seven weeks at number one on the Australian music charts, and was the year's highest selling single. During a charity event with other Neighbours cast members, Minogue performed Little Eva's "The Loco-Motion" and was signed to a recording contract with Mushroom Records in 1987.

She left the series in 1988 to concentrate on her music career. As in Australia, Minogue was considered to be one of the program's most popular and charismatic performers. The program began screening in the United Kingdom in 1987 and was highly successful. Minogue's personal popularity in Australia eclipsed that of other cast members, and to a degree that of the program itself. She was the recipient of a Gold Logie Award, as the nation's most popular television performer, with the result determined by public vote.

A record audience watched the episode featuring Scott and Charlene's wedding in 1987. The storylines featuring the young couple proved popular with viewers, and both Minogue and Donovan were drawn into the public spotlight, becoming recognisable celebrities for the first time in their respective careers. On Neighbours, Minogue played the character of Charlene Mitchell, a tomboy who rebelled at every opportunity, and who fell in love with the boy next door, Scott Robinson, played by Jason Donovan (who she worked with as a child on "Skyways"). She appeared in "Skyways", Young Talent Time, The Sullivans and The Henderson Kids, before rising to prominence in 1986 with her role in the Australian soap opera Neighbours.

Minogue first came to attention as a child actor in Australian soap operas, making her acting debut at the age of 11. Her brother, Brendan, is a camera man. Her sister Dannii Minogue is also a pop singer. Born in Melbourne, Australia, Minogue is the eldest of three children.

In many parts of the world, she is known simply as Kylie. As she has matured from a teenager into an adult, she has become one of her generation's most recognisable celebrities and sex symbols. Despite criticism, particularly in the early stages of her career, she has evolved her musical and visual style to attain longevity in the competitive field of pop music. Her recording career has been marked by periods of outstanding success and comparative failure.

Kylie Ann Minogue (SAMPA: mIn."oUg) (born May 28, 1968) is an Australian singer and actress who has been based primarily in the United Kingdom since the early 1990s. ISBN 0-7475-5778-0. Paul Morley: Words and Music: a history of pop in the shape of a city. Bloomsbury, 2003. ISBN 0-3407-3440-X.

Kylie Minogue, William Baker: La La La Hodder & Stoughton, 2003. In 2002, Q magazine named Minogue in their list of the "50 Bands To See Before You Die". Minogue now has her own line of lingerie available in Australia and the UK called "Love Kylie". Paul Morley's study of the evolution of pop music, Words And Music: A History Of Pop In The Shape Of A City, employs Minogue as the vehicle by which pop is explored.

Minogue has been featured on an Australian postage stamp. Minogue's portrait hangs in the National Gallery of Australia in Canberra. Its popularity led to an authorised version being recorded and released as the "B" side for her single "Love At First Sight". The success of her single "Can't Get You Out Of My Head" was enhanced when Minogue performed an unauthorised version of the song, which blended it with the music track of New Order's "Blue Monday", at the Brit Awards.

In 2002, a figure of Minogue wearing lingerie and in a provocative pose, attracted both praise and condemnation, but became one of Tussaud's most discussed figures. Minogue's Madame Tussaud's waxwork has been regularly updated to represent her changing image. In 1995, Minogue recited the lyrics to one of her biggest hits "I Should Be So Lucky" as poetry in London's Royal Albert Hall "Poetry Jam", at the suggestion of Nick Cave. See Unreleased Madonna songs.

Minogue's version however remains unreleased. Madonna also sent Minogue a demo song to record called "Alone Again" that she co-wrote with Rick Nowels. Madonna is the only female performer to surpass Minogue's (As of 2005) tally of 28 British Top 10 singles. In the United Kingdom, Minogue and Madonna are the only female artists to achieve number one singles in the 1980s, the 1990s and 2000s.

Madonna returned the compliment by wearing a "Kylie Minogue" shirt during a performance at the 2000 MTV Europe Music Awards. Early in her recording career, Madonna became her acknowledged role model. It can be found as a bonus track on the Australian tour edition of "Light Years" and she performed it during the tour of the same name. She recorded a cover version of Newton-John's hit Physical for the Moulin Rouge! soundtrack, however the song was not included.

Minogue has cited Olivia Newton-John as her first major influence. In Australia, Minogue has achieved 9 number one singles – more than any other Australian recording artist. Ultimate Kylie (2004). Body Language (2003).

Greatest Hits 1987-1997 (2003). Confide In Me (2001). Fever (2001). Hits+ (2000).

Light Years (2000). Intimate and Live (1999). Impossible Princess (1998) (renamed as Kylie Minogue for the UK). Kylie Minogue (1994).

Greatest Hits (1992). Let's Get To It (1991). Rhythm of Love (1990). Enjoy Yourself (1989).

Kylie (1988).