Peter UstinovSir Peter Alexander Ustinov (born Peter Alexander von Ustinow) (April 16, 1921 - March 29, 2004) was a British-born and raised actor, writer, dramatist and raconteur. Peter Ustinov as Hercule PoirotUstinov was born in Swiss Cottage in London. His father, Iona (Jona) von Ustinov, was half Russian and half German. He was known to his friends as "Klop" (bedbug). Klop had served as a German fighter pilot in World War I and worked as a press officer at the German Embassy in London in the 1930s, as well as a reporter for a German news agency. In 1935 he began working for the British intelligence service MI5 and became a British citizen, thus avoiding internment or deportation during the war (Peter Wright mentions in his book Spycatcher that Klop was possibly the spy known as U35; Ustinov says in his autobiography that his father hosted secret meetings of senior British and German officials at their London home). Peter Ustinov's mother, Nadia (Nadezhda) Leontievna Benois, was a painter and ballet designer of mixed Russian, French and Italian ancestry (she also had Ethiopian ancestry). Her paternal ancestor Jules-César Benois was a chef who had left France for St Petersburg during the French Revolution and became a chef to Tsar Paul. Peter was educated at Westminster School and had a difficult and uncertain childhood because of his parents' constant bickering and personality clashes. After training as an actor in his late teens, he made his stage début in 1938, becoming quickly established. Following military service as a private soldier during World War II, during which he had made propaganda films with names such as David Niven, he began to branch out into writing. His first major success was with The Love of Four Colonels in 1951. His career as a dramatist continued alongside his acting career, his best-known play being Romanoff and Juliet (1956). His film roles include Roman emperor Nero in Quo Vadis? (1951), Captain Vere in Billy Budd (1962), Lentulus Batiatus in Spartacus (1960), an old man surviving a totalitarian future in Logan's Run (1976), and in several films as Hercule Poirot, a part he first played in Death on the Nile (1978). His autobiography, Dear Me (1977), was well received and saw him describe his life (ostensibly his childhood) whilst being interrogated by his own ego. He won Oscars for his roles in Spartacus (1960) and Topkapi (1964). He also won two Golden Globe awards (he famously set the Oscar and Globe statues up on his desk as if playing doubles tennis; the game was also a love of his life, as was ocean yachting). In the later part of his life (from 1969 until his death), his acting and writing tasks took second place to his work on behalf of UNICEF - the United Nations Children's Fund, for which he was a Goodwill Ambassador and fundraiser. In this role he visited some of the neediest children and made use of his ability to make just about anybody laugh, including many of the world's most disadvantaged children. "Sir Peter could make anyone laugh," UNICEF Executive Director Carol Bellamy is quoted as saying. "His one-man show in German was the funniest performance I have ever seen – and I don’t speak a word of German." He is most well-known to many British people as a chat-show guest, a role to which he was ideally suited - his multicultural background made it possible for him to criticise the British character with good humour. Towards the end of his life he undertook some one-man stage shows in which he let loose his raconteur streak - he told the story of his life and of his frequent alienation in British society (as just one example, he took a test as a child which asked him to name a Russian composer; he wrote Shostakovich but was marked down, told the correct answer was Tchaikovsky since they had been studying him in class, and told to stop showing off). He spoke English, French, German, Italian, Russian, Spanish fluently, as well as some Turkish and modern Greek. In the late 1960s, he became a Swiss citizen to avoid the British tax system of the time which taxed the earnings of the wealthy at up to 90 per cent. However, he was knighted in 1990, and was appointed Chancellor of the University of Durham in 1992, having previously served as Rector of the University of Dundee in the late 1970s (a role in which he moved from being merely a figure-head to taking on a political role, negotiating with militant students). Ustinov was a frequent defender of the Chinese government, stating in an address to the University of Durham in 2000, "People are annoyed with the Chinese for not respecting more human rights. But with a population that size it's very difficult to have the same attitude to human rights." In 2003 Durham's postgraduate college (previously known as the Graduate Society) was renamed Ustinov College when it moved to a new site. He passed away in 2004 due to heart failure in a clinic in Genolier, near his home in Bursins, Vaud, Switzerland, and was buried in a private ceremony in the town on Saturday April 3, 2004. He was so well regarded as a goodwill ambassador that UNICEF Executive Director Carol Bellamy spoke at the funeral and represented United Nations Secretary-General Kofi Annan. When, in an interview, he was once asked what he would like it to read on his tombstone, Ustinov replied "Please keep off the grass". This page about Peter Ustinov includes information from a Wikipedia article. Additional articles about Peter Ustinov News stories about Peter Ustinov External links for Peter Ustinov Videos for Peter Ustinov Wikis about Peter Ustinov Discussion Groups about Peter Ustinov Blogs about Peter Ustinov Images of Peter Ustinov |
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When, in an interview, he was once asked what he would like it to read on his tombstone, Ustinov replied "Please keep off the grass". But with a population that size
it's very difficult to have the same attitude to human rights.". He spoke English, French, German, Italian, Russian, Spanish fluently, as well as some
Turkish and modern Greek. In this role he
visited some of the neediest children and made use of his ability to make just about anybody laugh, including many of the world's
most disadvantaged children. His autobiography, Dear Me (1977), was well received and saw him describe his life (ostensibly his childhood) whilst being interrogated by his own
ego. His parents were Giovanni Ventura and Luisa Borrini. His film roles include Roman
emperor Nero in Quo Vadis? (1951), Captain Vere in Billy Budd (1962), Lentulus Batiatus in
Spartacus (1960), an old man surviving a totalitarian future in Logan's
Run (1976), and in several films as Hercule Poirot, a part he first played in Death on the Nile (1978). He was born in Parma, Northern Italy, as
Angiolino Joseph Pascal Ventura. His career as a dramatist continued alongside his acting career,
his best-known play being Romanoff and Juliet (1956). Lino Ventura (July 14, 1919 -
October 22, 1987) was an Italian-French
actor. His first major success was with The Love of Four
Colonels in 1951. Following military service as a private soldier during World War II, during which he had made propaganda films with names such as David Niven, he began to branch out into writing. Rencontres – Art, Culture et Handicap – Lundi 20 octobre à Bourges (http://www.culture.gouv.fr/culture/actualites/communiq/aillagon/bourgesoct03.htm). After training as an actor in his late teens, he made his stage début in 1938, becoming quickly established. Les Premières Rencontres Nationales – Art, Culture et Handicap – Bourges du 19 au 21 octobre 2003 (http://www.argos.asso.fr/archiv/cultur03/texte/honneur.htm). Peter was educated at Westminster School and had a difficult and uncertain childhood because of his parents' constant bickering and personality clashes. (CTEB: Livres Transcrits en Braille) (http://perso.wanadoo.fr/cteb/prod012.htm). Her paternal ancestor Jules-César Benois was a chef who had left France for St Petersburg during the French Revolution and became a chef to Tsar Paul. Ventura, Odette (199x): Lino. Peter Ustinov's mother, Nadia (Nadezhda) Leontievna Benois, was a painter and ballet designer of mixed Russian, French and Italian ancestry (she also had Ethiopian ancestry). ISBN 3-453-86065-9. In 1935 he began working for the British intelligence service MI5 and became a British citizen, thus avoiding internment or deportation during the war (Peter Wright mentions in his book Spycatcher that Klop was possibly the spy known as U35; Ustinov says in his autobiography that his father hosted secret meetings of senior British and German officials at their London home). München: Heyne. Klop had served as a German fighter pilot in World War I and worked as a press officer at the German Embassy in London in the 1930s, as well as a reporter for a German news agency. Lino Ventura: Seine Filme - Sein Leben. He was known to his friends as "Klop" (bedbug). Zurhorst, Meinolf / Just, Lothar (1984). His father, Iona (Jona) von Ustinov, was half Russian and half German. ISBN. Ustinov was born in Swiss Cottage in London. Guanda "Biblioteca della Pilotta". Sir Peter Alexander Ustinov (born Peter Alexander von Ustinow) (April 16, 1921 - March 29, 2004) was a British-born and raised actor, writer, dramatist and raconteur. Ventura, Odette (1997): Lino. ISBN 2-22108646-5. Paris: Robert Laffont. Ventura, Odette (1997): Lino. ISBN 3-88679-217-X. Weinheim; Berlin: Beltz Quadriga. Ventura, Odette (1993): Lino. ISBN 2-7242-7179-3 (see also: External Links). Paris: Robert Laffont. Ventura, Odette (1992): Lino. ISBN 2-22109884-6. Paris: Robert Laffont. Ventura, Clélia (2003): Lino ou la Gourmandise de la Vie. ISBN 2-21361262-5. Fayard. Giovanni, José (2002): Mes Grandes Gueules. ISBN 2-08068113-3. Paris: Flammarion. Durieux, Gilles (2001): Lino Ventura. ISBN 3-404-61142-X. Bergisch Gladbach: Lübbe. Durant, Philippe (1989): Lino Ventura. With (?).
Director: Roger Hanin. La Rumba (1987)
With Rod Steiger, Michael York.
Director: Claude Pinoteau. La 7ème Cible (1984)
With Lino Troisi.
Director: José Giovanni. Le Ruffian (1982)
With Michel Bouquet.
Director: Yves Boisset. Espion Lève-toi (1981)
With Michel Serrault, Romy Schneider.
Director: Edouard Molinaro. Les Seducteurs / Sunday Lovers ("Paris") (1980)
With Angie Dickinson, Laurent Malet.
Director: Jacques Deray. Un Papillon sur l'Épole (1978)
With Richard Burton, Lee Remick.
Director: Francesco Rosi. Cadaveri Excellenti / Cadavres Exquis (1976)
With Patrick Dewaere, Françoise Brion.
Director: Pierre Granier-Deferre. La Cage (1975)
With Annie Girardot, Isabelle Adjani.
Director: Duccio Tessari. Uomini Duri / Tough Guys / Les Durs (1974)
With Jacques Brel.
Director: Jacques Brel. Le Far West (1973)
With Françoise Fabian.
Director: François Reichenbach. La Raison du Plus Fou (1972)
With Lea Massari.
Director: Terence Young. I Segreti di Cosa Nostra / The Valachi Papers (1972)
With Jacques Brel, Charles Denner, Charles Gérard.
Director: Robert Enrico. Boulevard du Rhum (1971)
With Mireille Darc, Jacques Dufilho.
Director: José Giovanni. Dernier Domicile Connu (1969)
With Jean Gabin, Alain Delon, Irina Demick.
Director: Jean-Pierre Melville. L'Armée des Ombres (1969)
With Rosa Furman, Xavier Marc.
Director: Robert Enrico. Les Aventuriers (1967)
With Paul Meurisse, Raymond Pellegrin.
Director: Jacques Deray. Avec la Peau des Autres (1966)
With Jean Lefebvre, Mireille Darc.
Director: Robert Enrico. Les Grandes Gueules (1965)
With Irina Demick, Pierre Brasseur, Charles Aznavour.
Director: Claude Sautet. L'Arme à Gauche (1965)
With Bernard Blier, Mireille
Darc.
Director: Georges Lautner. Le Monocle Rit Jaune (1964)
With Gert Fröbe.
Director: Carlos Saura. Llanto por un Bandito / Cordoba (1963)
With Sabine Sinjen, Horst Franck.
Director: Carmine Gallone. Carmen di Trastevere / Carmen 63 (1963)
With Curd Jürgens, Hildegard Knef, Gert Fröbe.
Director: Julien Duvivier. Le Diable et les Dix Commandements (1962)
With Fernandel, Georges Rivière.
Director: Jacqueline Audry. Les Petits Matins (1961)
With Annie Girardot, Michel Simon, Pierre Brasseur.
Director: Duilio Coletti. Il Re di Poggioreale / Le Roi des Truands (1961)
With Jean-Claude
Brialy, Claudia Cardinale.
Director: Denys de la Patellière. Un Taxi pour Tobrouk (1961)
With Marina Vlady.
Director: William Dieterle. Herrin der Welt / Les Mystères d'Angkor (1960)
With Sandra Milo, Jean-Paul Belmondo.
Director: Michel Boisrond. Le Chemin des Écoliers (1959)
With Andréa Parisi.
Director: Edouard Molinaro. Un Témoin dans la Ville (1959)
With Danielle Darrieux.
Director: Geza Redvanyi. Douze Heures d'Horloge (1958)
With Henri Vidal, Dawn Adams.
Director: Maurice Labro. Le Fauve est Laché (1958)
With Charles Vanel, Bella Darvi.
Director: Jacques Becker. Montparnasse 19 (1957)
With Jeanne Moreau.
Director: Jean Delannoy. Maigret Tend un Piège (1957)
With Eddie Constantine.
Director: Gilles Grangier. Trois Jours à Vivre (1957)
With Jeanne Moreau, Philippe Lemaire.
Director: Gilles Grangier. Le Rouge est Mis (1957)
With Henri Vidal, Barbara Laage.
Director: Henri Decoin. Le Feux aux Poudres (1956)
With Jean Gabin, Marina Vlady.
Director: Ralph Habib. La Loi des Rues (1956)
With Jean Gabin.
Director: Jacques Becker. Touchez Pas au Grisbi (1953)
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