Olivia Hussey

Olivia Hussey (born Olivia Osuna on April 17, 1951) is a British actress who appeared as Juliet in Zeffirelli's 1968 movie version of Romeo and Juliet. She is memorable in the Canadian horror movie Black Christmas (1974) directed by Bob Clark. Hussey also played Mary, the mother of Jesus in the 1977 television mini-series Jesus of Nazareth, also a Zeffirelli film. Hailed everywhere as a rare natural beauty, she reportedly wore next to no makeup.

Ms. Hussey was married to actor Dean Paul Martin from 1971 to 1978.



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. See also: Other Canadian pioneers in early Film. Hussey was married to actor Dean Paul Martin from 1971 to 1978. La Badie appeared in many films, some of which are:. Ms. During her shortened career, Ms. Hailed everywhere as a rare natural beauty, she reportedly wore next to no makeup. Allegedly pregnant as a result of her liaison with the President, the truth died with Florence La Badie.

Hussey also played Mary, the mother of Jesus in the 1977 television mini-series Jesus of Nazareth, also a Zeffirelli film. However, in those days, any such scandal was covered up before it could be found out and Thanhouser Film Corporation had already announced that their star was engaged to Daniel Goodman, the man who survived the accident. She is memorable in the Canadian horror movie Black Christmas (1974) directed by Bob Clark. Labadie’s close friends cautiously alluded to her having been involved in an intimate relationship with Woodrow Wilson, the President of the United States. Olivia Hussey (born Olivia Osuna on April 17, 1951) is a British actress who appeared as Juliet in Zeffirelli's 1968 movie version of Romeo and Juliet. Certain of Ms. Despite this, no formal investigation was ever undertaken to find the facts of her accident and death.

Following her death, a mechanical inspection of her motor vehicle revealed that the brakes had been tampered with. Obituary notices stated that she was survived by her mother, Amanda La Badie, with no mention of her ever having been adopted as would have been customary at the time. After a large funeral, she was interred in the Green-Wood Cemetery in Brooklyn, New York. With her passing, Florence La Badie became the first female motion picture personality to die and the movie-going public mourned her passing.

La Badie was thrown from the vehicle and suffered serious injuries. Hospitalized, she clung to life for more than two weeks and seemed to be getting better when she suddenly died from what was described as an infection. At the height of her motion picture success, on August 28, 1917, while driving near Ossining, New York in the company of her co-worker Daniel Goodman, the brakes on Florence La Badie’s car failed and the vehicle plunged down a hill overturning at the bottom. While Daniel Goodman escaped basically unharmed, Ms. Deeply affected, Florence La Badie became a vigorous advocate for peace, traveling the United States with a stereopticon slide show of the soldier’s photographs, warning about the terrible dangers of going to war. She had a great many movie fans in Canada and according to one New York Newspaper, in 1915 a young soldier fighting in the trenches at the Front in Northern France wrote to her, sending dozens of photographs that graphically depicted the horrors of the war.

When World War I broke out in Europe in 1914, Canada immediately joined the war and as a result, several of Florence La Badie’s young male friends and relatives back home in Montreal were immediately shipped overseas. Athletic and daring, in these films she performed all her own stunts. With her sophistication and beauty, Florence La Badie soon became Thanhouser Film’s most prominent actress, appearing in dozens of films including her most remembered effort in the 1914 - 1915 serial, The Million Dollar Mystery. Griffith until 1911 when the Thanhouser Film Corporation hired her.

She would go on to make more films under the renowned D.W. Given an impromptu bit part, Florence was invited back to Biograph’s studios to participate in another film later that year. During this period she met a fellow Canadian, the young actress Mary Pickford, who in 1909 invited Florence to watch the making of a motion picture at the Biograph studio in Manhattan. Following this, she signed to tour with one of the road companies and for the next two years appeared on stage in various places in the eastern part of the United States.

Once there, in early 1908 she obtained a small part in a stage play. Completing her studies, Florence La Badie was offered work as a model in New York City. In addition to these intellectual pursuits, she was also a very good athlete. Florence also wrote poetry in her spare time.

She studied art, painting, sculpture, and learned to play the piano and to sing. Florence’s father was a successful Montreal lawyer and her upper-middle-class parents sent her to a Catholic convent school to learn the ways of a "proper" young lady. However, this supposed legal deposition was dated five days before Florence’s death. Russ claimed to be Florence’s biological mother and referred to a Russ family burial plot in Brooklyn’s Green-Wood Cemetery.

While there is much evidence of her growing up in Montreal, in an alleged sworn deposition, a New York woman named Marie C. However, it has been said that she was born in New York City and adopted by the La Badie family. La Badie and his wife Amanda from Montreal, Quebec, Canada. La Badie (born possibly April 27, 1888 - October 13, 1917) was the daughter of Joseph E.

Florence M.L. War and the Woman (1917). Divorce and the Daughter - (1917). Ward of the King - (1916).

The Return of Draw Egan - (1916). The Fear of Poverty - (1915). Monsieur Lecoq - (1915). The Country Girl - (1915).

The Adventures of Florence - (1915). The Million Dollar Mystery - (1914-1915 serial). Undine - (1913). The Merchant of Venice - (1912).

Cinderella - (1911). Paradise Lost - (1911). Bobby, the Coward - (1910). Enoch Arden - (1910).

In the Window Recess - (1909). Getting Even - (1909).