Josh Groban

Josh Groban in Sarah Brightman's La Luna: Live in Concert (2001)

Joshua Winslow Groban (born February 27, 1981 in Los Angeles, California) is an American singer. Known for his unique low-tenor voice and good looks, his musical style ranges from classical to pop.

In 1997 and 1998, Groban attended the Interlochen Arts Program, majoring in musical theater. In late 1998, the 17-year-old Groban was introduced by his vocal coach to Grammy-winning producer/arranger David Foster. Groban worked for Foster as a rehearsal singer on a series of high-profile events, including the 1999 Grammy Awards -- where, as a stand-in for Andrea Bocelli, he rehearsed Foster's "The Prayer" with Céline Dion -- and the January 1999 inauguration of Gray Davis as governor of California.

Accepted into the theater department at Carnegie Mellon University, Groban left after his freshman year, when he was offered a recording contract at Warner Bros. Records through Foster's own 143 Records imprint. He performed with Sarah Brightman on her 2000-2001 La Luna Tour, and made his recording debut by singing "For Always" with Lara Fabian on the movie soundtrack to A.I.: Artificial Intelligence (2001).

In May 2001, Groban played the role of Malcolm Wyatt in the season finale of the television series Ally McBeal, performing "You're Still You" and "To Where You Are" from his debut album. The series creator David E. Kelley had been impressed at the 1999 Gray Davis inauguration and based on the audience reaction to Groban's singing, Kelley wrote a similar scene in this finale. The character of Malcolm Wyatt was so popular that Groban was asked to come back the next season to reprise his role.

On November 20, 2001, his self-titled debut album Josh Groban was released and over the next year, his album went from gold to double-platinum.

On February 24, 2002, Groban performed "The Prayer" with Charlotte Church at the closing ceremonies of the Winter Olympics, and in November, Groban had his own PBS special Josh Groban In Concert (2002). The following month, he performed "To Where You Are" and "The Prayer" at the Nobel Peace Prize Concert in Oslo, Norway, and joined The Corrs, Ronan Keating, Sting, Lionel Richie and others for a holiday performance at the Vatican in Rome.

On November 11, 2003, his second album Closer was released. Both of Groban's albums were produced by David Foster, released under Foster's 143 Records and distributed by Warner Music.

On November 30, 2004, his second live DVD, Live at the Greek, was released. It also ran as a Great Performances special on PBS.

Links

  • IMDb.com profile: Josh Groban (http://imdb.com/name/nm1169011/)
  • Official Josh Groban Website (http://www.joshgroban.com)
  • Listen to You Raise Me Up (Opens in Windows Media Player) (http://www.warnerreprise.com/asx/joshgroban_youraisemeup_audio_128-a.asx)

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It also ran as a Great Performances special on PBS. He is a patron of County Air Ambulance, based in the East Midlands of England. On November 30, 2004, his second live DVD, Live at the Greek, was released. I hope the chapters of my life to follow allow me to continue to keep giving back all the love and respect that I have been given.". Both of Groban's albums were produced by David Foster, released under Foster's 143 Records and distributed by Warner Music. "I never knew what was coming next but it's been a wonderful journey. On November 11, 2003, his second album Closer was released. "The last twenty-five years have been an adventure, a story without a script," Humperdinck told fans in his anniversary tourbook.

The following month, he performed "To Where You Are" and "The Prayer" at the Nobel Peace Prize Concert in Oslo, Norway, and joined The Corrs, Ronan Keating, Sting, Lionel Richie and others for a holiday performance at the Vatican in Rome. By the time his 1996 record After Dark hit the stores, Humperdinck had sold 130 million records, including 23 platinum and 64 gold releases, and he showed no signs of decreasing his output. On February 24, 2002, Groban performed "The Prayer" with Charlotte Church at the closing ceremonies of the Winter Olympics, and in November, Groban had his own PBS special Josh Groban In Concert (2002). Like most of Humperdinck's tours, the anniversary was almost completely sold out. On November 20, 2001, his self-titled debut album Josh Groban was released and over the next year, his album went from gold to double-platinum. The tour showcased a career's worth of middle-of-the-road favorites, as well as songs from a special anniversary album recorded with the Royal Philharmonic Orchestra on Polydor Records. The character of Malcolm Wyatt was so popular that Groban was asked to come back the next season to reprise his role. In 1992, the singer launched a gala world tour to commemorate 25 years of performing as Engelbert Humperdinck.

Kelley had been impressed at the 1999 Gray Davis inauguration and based on the audience reaction to Groban's singing, Kelley wrote a similar scene in this finale. For one of these, Reach Out, Humperdinck even penned and performed an anthem for the organization's mission, called "Reach Out." As longtime friend Clifford Elson said of Humperdinck, "[h]e's a gentleman in a business that's not full of many gentlemen.". The series creator David E. In addition to involvement with The Leukemia Research Fund, the American Red Cross, and the American Lung Association, Humperdinck contributed to several AIDS relief organizations. In May 2001, Groban played the role of Malcolm Wyatt in the season finale of the television series Ally McBeal, performing "You're Still You" and "To Where You Are" from his debut album. Still, he retained his element of humanism, and began major involvement in charity foundations. He performed with Sarah Brightman on her 2000-2001 La Luna Tour, and made his recording debut by singing "For Always" with Lara Fabian on the movie soundtrack to A.I.: Artificial Intelligence (2001). He had met the queen of England and several American presidents.

Records through Foster's own 143 Records imprint. In 1989, he was awarded a star on the Hollywood Walk of Fame, as well as a Golden Globe Award for Entertainer of the Year. Accepted into the theater department at Carnegie Mellon University, Groban left after his freshman year, when he was offered a recording contract at Warner Bros. A truly jet-set family, the Humperdinck/Dorsey clan shuttled between homes in England and Beverly Hills, California, where Humperdinck had purchased the Pink Palace, a lush mansion once owned by film star Jayne Mansfield. Groban worked for Foster as a rehearsal singer on a series of high-profile events, including the 1999 Grammy Awards -- where, as a stand-in for Andrea Bocelli, he rehearsed Foster's "The Prayer" with Céline Dion -- and the January 1999 inauguration of Gray Davis as governor of California. Perhaps a mixture of business and pleasure had contributed to this success: Humperdinck's four children are involved in their father's career in some way. In late 1998, the 17-year-old Groban was introduced by his vocal coach to Grammy-winning producer/arranger David Foster. Despite all this, Humperdinck had managed to maintain a solid family life with his wife, Patricia.

In 1997 and 1998, Groban attended the Interlochen Arts Program, majoring in musical theater. By the 1980s, Humperdinck was fast approaching his fifth decade of life, yet he was still producing albums regularly, performing sometimes more than 200 concerts in a year, and he was still a source of attraction for his female fans. Known for his unique low-tenor voice and good looks, his musical style ranges from classical to pop. Humperdinck's albums began to cover more musical terrain than ballads alone. Joshua Winslow Groban (born February 27, 1981 in Los Angeles, California) is an American singer. Over the years, this arrangement slowly changed, giving Humperdinck full creative freedom. Listen to You Raise Me Up (Opens in Windows Media Player) (http://www.warnerreprise.com/asx/joshgroban_youraisemeup_audio_128-a.asx). Perhaps part of the reason behind Humperdinck's critical neglect stemmed from his lack of involvement with the recording of albums, whereas he had so much control over live presentation. Until the late 1980s, Humperdinck had little say in which songs were selected for each album, a fact that might have supported claims that he was little more than a pawn of his label's executives.

Official Josh Groban Website (http://www.joshgroban.com). In addition, the album received a nomination for a Grammy Award, the first major nod Humperdinck had received from critical corners. IMDb.com profile: Josh Groban (http://imdb.com/name/nm1169011/). For one thing, it was the first record Humperdinck made for the Epic label, after almost a decade with Parrot. The release of the album After the Lovin' in 1976 was a relative watermark in Humperdinck's career. "I call them the spark plugs of my success.".

"They are very loyal to me and very militant as far as my reputation is concerned," Humperdinck said of his devotees to Sherwood. By the next decade, the fan mania had grown to giant proportions, reportedly the largest such club in the world, with chapters including "Our World is Engelbert," "Engelbert...We Believe in You," and "Love is All for Enge." While an occasional fan ventured into the realm of obsession-several fanatics claimed to have been pregnant with the singer's offspring-Humperdinck's following of a reported eight million members guaranteed record sales with limited radio air play. By the late 1960s, Engelbert Humperdinck fan clubs had begun to sprout, first in England, later around the globe. "I take the job description of 'entertainer' very seriously! I try to bring a sparkle that people don't expect and I get the biggest kick from hearing someone say 'I had no idea you could do that!'".

"I don't like to give people what they have already seen," Humperdinck was quoted as saying in a 1992 tourbook. Subsequently, Humperdinck's live performances became more crucial in reaching his fans, and the singer responded by producing lavish, energetic extravaganzas that set the standards for Las Vegas-style glamour. While the mood of Top 40 radio quickly changed, Humperdinck's music, more akin to Broadway show tunes than post-Beatles rock, did not. Throughout the rest of the 1960s and into the 1970s, Humperdinck continued to produce million-selling albums of love songs on the Parrot label, and developed increasingly more extravagant stage shows, sometimes over one hundred per year.

What I am is a contemporary singer, a stylized performer.". No crooner has the range I have-I can hit notes a bank couldn't cash. As Humperdinck told the Hollywood Reporter's Rick Sherwood, "if you are not a crooner it's something you don't want to be called. On these grounds, coupled with the fact that most of Humperdinck's recordings are love songs, some critics immediately dismissed the singer as a mere "crooner." While Humperdinck cannot be said to have made significant musical innovations, the freshness, energy, and range of Humperdinck's delivery set him apart from other show business Romeos.

Almost immediately, Humperdinck began to amass legions of devoted fans, many of them female. At its peak, the "Release Me" single sold an unprecedented 85,000 copies daily, but moreover, the slow, powerful ballad became Humperdinck's signature tune, and a staple among adult vocals fans. music charts as well. The song quickly hit the number one slot on the British music charts, and this success reflected on the U.S.

Humperdinck performed "Release Me," a single that had just been released on Parrot Records, and the result was almost instant stardom for the singer. In 1967, in a turn of events seemingly taken from a musical or film melodrama, Humperdinck was contacted to be a last minute replacement on the popular variety show Saturday Night at the London Palladium when its scheduled star, Dickie Valentine, fell ill. With a new image of charm and an association with high culture, Humperdinck was soon to take off. It was then that Humperdinck dropped the name Gerry Dorsey to step into the name of a 19th century German opera composer.

Rather than marketing his protege as a teen pin-up, Mills opted to focus upon Humperdinck's "gentlemanly" personality. Mills, who later helped Welsh singer Tom Jones achieve fame, became Humperdinck's mentor, creating the suave image that the singer retained throughout his career. The singer continued along the British club circuit with only moderate recognition until he was adopted by manager Gordon Mills. The sporadic Gerry Dorsey records made for Decca would only be a footnote in Humperdinck's career.

A year later, Humperdinck released his first single, "Crazy Bells," under the name Gerry Dorsey. Impressed by the vocal precision of a singer lacking formal training, the agent managed to cut a deal with Decca Records. His first break came in 1958, when he was tapped by a talent agent who had seen Humperdinck perform in a local talent contest. Upon his return to England, Humperdinck soon found himself singing publicly for the first time.

Although amateur attempts at singing soon followed, Humperdinck did not commit himself to music until after he had served two years in the British armed forces, stationed in Germany during the mid-1950s. Growing up with ten brothers and sisters in a working-class family, Engelbert became interested in music at age 11, when he took up playing the saxophone. Humperdinck has sold an average of five million records a year since the mid-1960s and has established himself as one of the world's premiere live performers in a number of sold-out tours. He was raised in Leicester, and adopted the stage name Engelbert Humperdinck, after the German composer of the same name.

Engelbert Humperdinck, born May 2, 1936 in Madras, India as Arnold George Dorsey, is a well-known pop singer. http://www.engelbert.com/. Engelbert Humperdinck (composer), 1854-1921. After the Lovin'.

The Last Waltz. Release Me. Am I That Easy to Forget?.