Haircut 100

Haircut One Hundred (also known as Haircut 100) was a pop-New Wave band formed in 1980 (1980 in music) by Nick Heyward, Les Nemes and Graham Jones with Phil Smith, Mark Fox and Memphis Blair Cunningham. They were successful from the beginning, with 1981's (1981 in music) "Favourite Shirts (Boy Meets Girl)", setting the stage for the breakthrough success of Pelican West in 1982 (1982 in music). "Love Plus One" was even bigger than anything previous, and Haircut 100 seemed poised for stardom just as Heyward decided to seek a solo career. The remainder of the band tried to continue with Paint and Paint in 1984, but they broke up soon after.


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The remainder of the band tried to continue with Paint and Paint in 1984, but they broke up soon after. Ill health plagued his later years and Son House stopped performing in the early 1970s and died in Detroit, Michigan. "Love Plus One" was even bigger than anything previous, and Haircut 100 seemed poised for stardom just as Heyward decided to seek a solo career. It was House who, speaking to awe-struck young blues fans in the 1960s, spread the legend that Johnson had sold his soul to the Devil in exchange for his musical powers. They were successful from the beginning, with 1981's (1981 in music) "Favourite Shirts (Boy Meets Girl)", setting the stage for the breakthrough success of Pelican West in 1982 (1982 in music). The music of Son House, in contrast to that of, say, Blind Lemon Jefferson, was emphatically a dance music, meant to be heard in the noisy atmosphere of a barrelhouse or other dance hall. House was an important influence on not only Muddy Waters but also Robert Johnson, who would later take his music to new levels. Haircut One Hundred (also known as Haircut 100) was a pop-New Wave band formed in 1980 (1980 in music) by Nick Heyward, Les Nemes and Graham Jones with Phil Smith, Mark Fox and Memphis Blair Cunningham. He more than made up for this lack of technique, however, with his powerful and innovative style, featuring very strong, repetitive rhythms, often played with the aid of a bottleneck, coupled with singing that owed more than a nod to the hollers of the chain gangs.

Unlike some blues guitarists of the 1920s and 30s, House was not a virtuoso, and there is little that is technically impressive about his playing. Like Mississippi John Hurt he was welcomed into the music scene of the 1960s and played at Newport Folk Festival in 1964. He subsequently toured extensively in the US and Europe and recorded for CBS records. He then faded from public view until the country blues revival in the 1960s when he was "re-discovered".

Son House made recordings for Paramount Records in 1930 and for Alan Lomax from the Library of Congress in the early 1940s. After killing a man in self-defense, he spent time on Parchman Farm. He played alongside Charley Patton, Willie Brown, Robert Johnson, "Fiddlin'" Joe Martin, and Leroy Williams. He was born in Riverton, Mississippi.

Certainly, the voice in his recordings for the Library of Congress in 1941 and 1942 was not one of a young man. While all legal records place his birth on March 21, 1902, Son House himself gave contradictory information: that he was middle aged during World War I, that he was 79 in 1965, that he was born in 1886. His birth is a matter of debate. Eddie James House, Jr. (March 21, 1902 – October 19, 1988), better known as Son House, was an influential blues singer and guitarist.