Engelbert Humperdinck (singer)Engelbert Humperdinck, born May 2, 1936 in Madras, India as Arnold George Dorsey, is a well-known pop singer. He was raised in Leicester, and adopted the stage name Engelbert Humperdinck, after the German composer of the same name. Humperdinck has sold an average of five million records a year since the mid-1960s and has established himself as one of the world's premiere live performers in a number of sold-out tours. Early LifeGrowing up with ten brothers and sisters in a working-class family, Engelbert became interested in music at age 11, when he took up playing the saxophone. Although amateur attempts at singing soon followed, Humperdinck did not commit himself to music until after he had served two years in the British armed forces, stationed in Germany during the mid-1950s. Upon his return to England, Humperdinck soon found himself singing publicly for the first time. Early CareerHis first break came in 1958, when he was tapped by a talent agent who had seen Humperdinck perform in a local talent contest. Impressed by the vocal precision of a singer lacking formal training, the agent managed to cut a deal with Decca Records. A year later, Humperdinck released his first single, "Crazy Bells," under the name Gerry Dorsey. The sporadic Gerry Dorsey records made for Decca would only be a footnote in Humperdinck's career. The singer continued along the British club circuit with only moderate recognition until he was adopted by manager Gordon Mills. Mills, who later helped Welsh singer Tom Jones achieve fame, became Humperdinck's mentor, creating the suave image that the singer retained throughout his career. Rather than marketing his protege as a teen pin-up, Mills opted to focus upon Humperdinck's "gentlemanly" personality. It was then that Humperdinck dropped the name Gerry Dorsey to step into the name of a 19th century German opera composer. With a new image of charm and an association with high culture, Humperdinck was soon to take off. In 1967, in a turn of events seemingly taken from a musical or film melodrama, Humperdinck was contacted to be a last minute replacement on the popular variety show Saturday Night at the London Palladium when its scheduled star, Dickie Valentine, fell ill. Humperdinck performed "Release Me," a single that had just been released on Parrot Records, and the result was almost instant stardom for the singer. The song quickly hit the number one slot on the British music charts, and this success reflected on the U.S. music charts as well. At its peak, the "Release Me" single sold an unprecedented 85,000 copies daily, but moreover, the slow, powerful ballad became Humperdinck's signature tune, and a staple among adult vocals fans. Almost immediately, Humperdinck began to amass legions of devoted fans, many of them female. On these grounds, coupled with the fact that most of Humperdinck's recordings are love songs, some critics immediately dismissed the singer as a mere "crooner." While Humperdinck cannot be said to have made significant musical innovations, the freshness, energy, and range of Humperdinck's delivery set him apart from other show business Romeos. As Humperdinck told the Hollywood Reporter's Rick Sherwood, "if you are not a crooner it's something you don't want to be called. No crooner has the range I have-I can hit notes a bank couldn't cash. What I am is a contemporary singer, a stylized performer." Career in the 1960's and 1970'sThroughout the rest of the 1960s and into the 1970s, Humperdinck continued to produce million-selling albums of love songs on the Parrot label, and developed increasingly more extravagant stage shows, sometimes over one hundred per year. While the mood of Top 40 radio quickly changed, Humperdinck's music, more akin to Broadway show tunes than post-Beatles rock, did not. Subsequently, Humperdinck's live performances became more crucial in reaching his fans, and the singer responded by producing lavish, energetic extravaganzas that set the standards for Las Vegas-style glamour. "I don't like to give people what they have already seen," Humperdinck was quoted as saying in a 1992 tourbook. "I take the job description of 'entertainer' very seriously! I try to bring a sparkle that people don't expect and I get the biggest kick from hearing someone say 'I had no idea you could do that!'" By the late 1960s, Engelbert Humperdinck fan clubs had begun to sprout, first in England, later around the globe. By the next decade, the fan mania had grown to giant proportions, reportedly the largest such club in the world, with chapters including "Our World is Engelbert," "Engelbert...We Believe in You," and "Love is All for Enge." While an occasional fan ventured into the realm of obsession-several fanatics claimed to have been pregnant with the singer's offspring-Humperdinck's following of a reported eight million members guaranteed record sales with limited radio air play. "They are very loyal to me and very militant as far as my reputation is concerned," Humperdinck said of his devotees to Sherwood. "I call them the spark plugs of my success." The release of the album After the Lovin' in 1976 was a relative watermark in Humperdinck's career. For one thing, it was the first record Humperdinck made for the Epic label, after almost a decade with Parrot. In addition, the album received a nomination for a Grammy Award, the first major nod Humperdinck had received from critical corners. Perhaps part of the reason behind Humperdinck's critical neglect stemmed from his lack of involvement with the recording of albums, whereas he had so much control over live presentation. Until the late 1980s, Humperdinck had little say in which songs were selected for each album, a fact that might have supported claims that he was little more than a pawn of his label's executives. Over the years, this arrangement slowly changed, giving Humperdinck full creative freedom. Humperdinck's albums began to cover more musical terrain than ballads alone. 1980's to presentBy the 1980s, Humperdinck was fast approaching his fifth decade of life, yet he was still producing albums regularly, performing sometimes more than 200 concerts in a year, and he was still a source of attraction for his female fans. Despite all this, Humperdinck had managed to maintain a solid family life with his wife, Patricia. Perhaps a mixture of business and pleasure had contributed to this success: Humperdinck's four children are involved in their father's career in some way. A truly jet-set family, the Humperdinck/Dorsey clan shuttled between homes in England and Beverly Hills, California, where Humperdinck had purchased the Pink Palace, a lush mansion once owned by film star Jayne Mansfield. In 1989, he was awarded a star on the Hollywood Walk of Fame, as well as a Golden Globe Award for Entertainer of the Year. He had met the queen of England and several American presidents. Still, he retained his element of humanism, and began major involvement in charity foundations. In addition to involvement with The Leukemia Research Fund, the American Red Cross, and the American Lung Association, Humperdinck contributed to several AIDS relief organizations. For one of these, Reach Out, Humperdinck even penned and performed an anthem for the organization's mission, called "Reach Out." As longtime friend Clifford Elson said of Humperdinck, "[h]e's a gentleman in a business that's not full of many gentlemen." In 1992, the singer launched a gala world tour to commemorate 25 years of performing as Engelbert Humperdinck. The tour showcased a career's worth of middle-of-the-road favorites, as well as songs from a special anniversary album recorded with the Royal Philharmonic Orchestra on Polydor Records. Like most of Humperdinck's tours, the anniversary was almost completely sold out. By the time his 1996 record After Dark hit the stores, Humperdinck had sold 130 million records, including 23 platinum and 64 gold releases, and he showed no signs of decreasing his output. "The last twenty-five years have been an adventure, a story without a script," Humperdinck told fans in his anniversary tourbook. "I never knew what was coming next but it's been a wonderful journey. I hope the chapters of my life to follow allow me to continue to keep giving back all the love and respect that I have been given." He is a patron of County Air Ambulance, based in the East Midlands of England. Well Known Songs
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He is a patron of County Air Ambulance, based in the East Midlands of England. If you do so, please let me know". I hope the chapters of my life to follow allow me to continue to keep giving back all the love and respect that I have been given.". When you listen to them a second time you may sense a basic truth in these cryptic words. "I never knew what was coming next but it's been a wonderful journey. This led Sarah to comment: "Listening to the lyrics in the first time, you may find it hard to understand their meaning. "The last twenty-five years have been an adventure, a story without a script," Humperdinck told fans in his anniversary tourbook. While most of the songs are easily accessible and open, some others are strange and incomprehensible. By the time his 1996 record After Dark hit the stores, Humperdinck had sold 130 million records, including 23 platinum and 64 gold releases, and he showed no signs of decreasing his output. Gert has one big theme: losing the one you love. Like most of Humperdinck's tours, the anniversary was almost completely sold out. Sarah mainly tries to express ideas in her songs and has a hand in writing silly and tongue-in-cheeks songs. The tour showcased a career's worth of middle-of-the-road favorites, as well as songs from a special anniversary album recorded with the Royal Philharmonic Orchestra on Polydor Records. Sarah and Gert write most of the music and lyrics. Most of it is written separately. In 1992, the singer launched a gala world tour to commemorate 25 years of performing as Engelbert Humperdinck. In the seven years between The Great Subconscious Club and Almost Happy the music changed from raw and guitar-based to a more subtle and delicate sound. For one of these, Reach Out, Humperdinck even penned and performed an anthem for the organization's mission, called "Reach Out." As longtime friend Clifford Elson said of Humperdinck, "[h]e's a gentleman in a business that's not full of many gentlemen.". Sarah's smokey, enigmatic voice is the bands best known characteristic. In addition to involvement with The Leukemia Research Fund, the American Red Cross, and the American Lung Association, Humperdinck contributed to several AIDS relief organizations. It ranges from very delicate and intimate singer-songwriter songs to songs that are stronger, more active and louder. Still, he retained his element of humanism, and began major involvement in charity foundations. Their music can be described as guitar-based singer-songwriter rock or folk-rock. He had met the queen of England and several American presidents. Except for four full albums, a live album and a best of they also produced four limited edition and fan club CDs: Extra Cocoon, 2000 Seconds Live, Home and Running Backwards. In 1989, he was awarded a star on the Hollywood Walk of Fame, as well as a Golden Globe Award for Entertainer of the Year. Gert and Sarah both want to try out some solo work. Gert produces an album (for a Belgian band, Venus in Flames) and Sarah records a solo mini-CD Go and appears on several movie soundtracks now with songs of her own (All of This Past for Underworld and Someone to say Hi to for the Zus and Zo). A truly jet-set family, the Humperdinck/Dorsey clan shuttled between homes in England and Beverly Hills, California, where Humperdinck had purchased the Pink Palace, a lush mansion once owned by film star Jayne Mansfield. In 2003 the band decides to take a year off. Perhaps a mixture of business and pleasure had contributed to this success: Humperdinck's four children are involved in their father's career in some way. In 2001 Live (a 2-CD collection of live recordings) is in stores, and in 2003 Ten (a collection of ten years of singles and songs that didn't appear on their albums) is too, it is accompanied by a DVD with the same name. Despite all this, Humperdinck had managed to maintain a solid family life with his wife, Patricia. Koen Liekens has returned as drummer. By the 1980s, Humperdinck was fast approaching his fifth decade of life, yet he was still producing albums regularly, performing sometimes more than 200 concerts in a year, and he was still a source of attraction for his female fans. In 2000 their last studio-album Almost Happy is finished. Humperdinck's albums began to cover more musical terrain than ballads alone. Meanwhile American Eric Grosman has become the permanent bass player. Over the years, this arrangement slowly changed, giving Humperdinck full creative freedom. In 1998 Cocoon Crash, their third album is finished. Perhaps part of the reason behind Humperdinck's critical neglect stemmed from his lack of involvement with the recording of albums, whereas he had so much control over live presentation. Until the late 1980s, Humperdinck had little say in which songs were selected for each album, a fact that might have supported claims that he was little more than a pawn of his label's executives. For the next year (1996-1997) they tour supporting Alanis Morissette, who heard the band playing on European festivals. In addition, the album received a nomination for a Grammy Award, the first major nod Humperdinck had received from critical corners. At that point Bart van der Zeeuw has replaced Koen Liekens on drums and bass players continually change. For one thing, it was the first record Humperdinck made for the Epic label, after almost a decade with Parrot. Not an Addict, a single taken from this album was very successful and brings international fame. The release of the album After the Lovin' in 1976 was a relative watermark in Humperdinck's career. In 1995 they record Paradise in Me. "I call them the spark plugs of my success.". has no choices, so the name is meant ironically, as a strange, incomprehensible impossibility, like many of their songs. "They are very loyal to me and very militant as far as my reputation is concerned," Humperdinck said of his devotees to Sherwood. In the book Joseph K. By the next decade, the fan mania had grown to giant proportions, reportedly the largest such club in the world, with chapters including "Our World is Engelbert," "Engelbert...We Believe in You," and "Love is All for Enge." While an occasional fan ventured into the realm of obsession-several fanatics claimed to have been pregnant with the singer's offspring-Humperdinck's following of a reported eight million members guaranteed record sales with limited radio air play. from Kafka's the Trial. By the late 1960s, Engelbert Humperdinck fan clubs had begun to sprout, first in England, later around the globe. K refers to Joseph K. "I take the job description of 'entertainer' very seriously! I try to bring a sparkle that people don't expect and I get the biggest kick from hearing someone say 'I had no idea you could do that!'". When they came to the US another group with the name The Choice, forced the band to change their name; they decided that K's Choice would capture the spirit of the band. "I don't like to give people what they have already seen," Humperdinck was quoted as saying in a 1992 tourbook. These five toured Germany and the US, supporting the Indigo Girls, an American Folk-Rock band. Subsequently, Humperdinck's live performances became more crucial in reaching his fans, and the singer responded by producing lavish, energetic extravaganzas that set the standards for Las Vegas-style glamour. In 1994 the band has five more or less permanent members: Sarah and Gert, Jan van Sichem Jr (guitar), Koen Liekens (drums) and Erik Verheyden (Bass). While the mood of Top 40 radio quickly changed, Humperdinck's music, more akin to Broadway show tunes than post-Beatles rock, did not. The band was named The Choice and in 1993 they recorded their debut album The Great Subconscious Club. Throughout the rest of the 1960s and into the 1970s, Humperdinck continued to produce million-selling albums of love songs on the Parrot label, and developed increasingly more extravagant stage shows, sometimes over one hundred per year. She was offered a contract and formed a band with her brother Gert. What I am is a contemporary singer, a stylized performer.". Under a more English name, Sarah Beth, she appeared on several movie soundtracks with covers including I'm so lonesome I could cry (originally by Hank Williams) for the movie Vrouwen Willen Trouwen (Women Want To Marry) and a duet with Frankie Miller Why don't you try me, (originally by Ry Cooder) for the movie Ad Fundum. No crooner has the range I have-I can hit notes a bank couldn't cash. This lead to the discovery of Sarah, who was offered a chance by a label; mainly because of her smokey, enigmatic voice. As Humperdinck told the Hollywood Reporter's Rick Sherwood, "if you are not a crooner it's something you don't want to be called. In the beginning of the nineties Sarah and Gert played in an amateur band, the Basement Plugs. On these grounds, coupled with the fact that most of Humperdinck's recordings are love songs, some critics immediately dismissed the singer as a mere "crooner." While Humperdinck cannot be said to have made significant musical innovations, the freshness, energy, and range of Humperdinck's delivery set him apart from other show business Romeos. (guitar) and Koen Liekens (Drums). Almost immediately, Humperdinck began to amass legions of devoted fans, many of them female. They are joined by Eric Grossman (Bass), Jan van Sichem Jr. At its peak, the "Release Me" single sold an unprecedented 85,000 copies daily, but moreover, the slow, powerful ballad became Humperdinck's signature tune, and a staple among adult vocals fans. The band centers around siblings Sarah (lead vocals, guitar) and Gert Bettens (guitar, keyboard, vocals). music charts as well. K's Choice is the name of Belgian rock band from Antwerp, Belgium. The song quickly hit the number one slot on the British music charts, and this success reflected on the U.S. Running Backwards (2003). Humperdinck performed "Release Me," a single that had just been released on Parrot Records, and the result was almost instant stardom for the singer. Home (2001). In 1967, in a turn of events seemingly taken from a musical or film melodrama, Humperdinck was contacted to be a last minute replacement on the popular variety show Saturday Night at the London Palladium when its scheduled star, Dickie Valentine, fell ill. 2000 Seconds Live (1998). With a new image of charm and an association with high culture, Humperdinck was soon to take off. Extra Cocoon (1998). It was then that Humperdinck dropped the name Gerry Dorsey to step into the name of a 19th century German opera composer. 10 (2003). Rather than marketing his protege as a teen pin-up, Mills opted to focus upon Humperdinck's "gentlemanly" personality. Live (2001). Mills, who later helped Welsh singer Tom Jones achieve fame, became Humperdinck's mentor, creating the suave image that the singer retained throughout his career. Almost Happy (2000). The singer continued along the British club circuit with only moderate recognition until he was adopted by manager Gordon Mills. Cocoon Crash (1998). The sporadic Gerry Dorsey records made for Decca would only be a footnote in Humperdinck's career. Paradise in Me (1995). A year later, Humperdinck released his first single, "Crazy Bells," under the name Gerry Dorsey. The Great Subconscious Club (1993). Impressed by the vocal precision of a singer lacking formal training, the agent managed to cut a deal with Decca Records. His first break came in 1958, when he was tapped by a talent agent who had seen Humperdinck perform in a local talent contest. Upon his return to England, Humperdinck soon found himself singing publicly for the first time. Although amateur attempts at singing soon followed, Humperdinck did not commit himself to music until after he had served two years in the British armed forces, stationed in Germany during the mid-1950s. Growing up with ten brothers and sisters in a working-class family, Engelbert became interested in music at age 11, when he took up playing the saxophone. Humperdinck has sold an average of five million records a year since the mid-1960s and has established himself as one of the world's premiere live performers in a number of sold-out tours. He was raised in Leicester, and adopted the stage name Engelbert Humperdinck, after the German composer of the same name. Engelbert Humperdinck, born May 2, 1936 in Madras, India as Arnold George Dorsey, is a well-known pop singer. http://www.engelbert.com/. Engelbert Humperdinck (composer), 1854-1921. After the Lovin'. The Last Waltz. Release Me. Am I That Easy to Forget?. |